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Greater New Haven's Community Resource for Jazz since 1996

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resource for Jazz since 1996!

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Zaccai Curtis Quintet

November 7, 2025 By Craig OConnell

Zaccai Curtis Quintet

By The Side Door Jazz Club
Friday, November 7 · 8 – 10:30pm EST. Doors at 7:15pm
The Side Door, 85 Lyme St Old Lyme, CT 06371

 

  • Doors at 7:15 PM

Zaccai Curtis – Piano

Jeremy Bosch – Flute

Alex Ayala – Bass

Reinaldo De Jesus – Percussion

Willie Martinez – Drums

Zaccai Curtis is an acclaimed recording artist and producer, recently honored with the 2025 Grammy Award for Best Latin Jazz Album. He leads his own groups, the Zaccai Curtis Quintet and Sonido Solar, and after five successful releases, is set to release his new album Sonoluminescence in 2026.

Together with his brother Luques, Zaccai co-founded the record label TRRcollective, a collaborative space for musicians to produce and release their own music. He is also proud to have produced the Grammy-nominated album Entre Colegas by Andy González (2016).

A native of Connecticut, Zaccai moved to New York City in 2005, where he has performed with renowned artists including Christian Scott, Donald Harrison, Cindy Blackman Santana, Eddie Palmieri, Lakecia Benjamin, Brian Lynch, the Mambo Legends, Avery Sharpe and many others.

In addition to his performance career, Zaccai is a respected educator, teaching at the University of Hartford’s Jackie McLean Jazz Studies Division. He is also an author, having written two instructional books: Art of the Guajeo and Theory of the Common Voicing, which support students in their Jazz and Latin Jazz studies.

A three-time ASCAP Young Jazz Composer Award winner, Zaccai is a prolific composer and arranger for his own groups, as well as artists like Little Johnny Rivero, Steve Kroon, Waitiki 7 and Sonido Solar. His quartet was chosen by the U.S. State Department for the American Music Abroad (Jazz Ambassadors) program twice, touring South Asia in 2006. In 2007, he received the Connecticut Commission on Culture and Tourism’s Artist Fellowship for original composition. In 2017, he was awarded the Chamber Music America’s New Jazz Works grant, and in 2020, he was named Rising Star in the DownBeat Critics Poll.

Tagged With: Side Door Jazz Cllub, Zaccai Curtis Quintet

Dave Pietro Quartet

November 1, 2025 By Craig OConnell

By The Side Door Jazz Club
Saturday, November 1 · 8 – 10:30pm EDT. Doors at 7:15pm

The Side Door, 85 Lyme St Old Lyme, CT 06371

  • Doors at 7:15 PM

Dave Pietro – Alto Saxophone

Gary Versace – Piano

Jay Anderson – Bass

Billy Drummond – Drums

A native of Southboro, Massachusetts, Dave Pietro has been on the New York music scene since 1987. His talents as a gifted saxophonist, composer, and educator have made him an in-demand musician who has performed at jazz clubs, jazz festivals, schools and concert halls in more than 30 countries throughout Asia, Australia, Europe, North and South America. Pietro is a member of the GRAMMY® Award-winning Maria Schneider Orchestra, and two GRAMMY®-nominated groups – Darcy James Argue’s Secret Society and the Gil Evans Project. From 1994-2016 he played lead alto saxophone and recorded six albums with the Toshiko Akiyoshi Jazz Orchestra. He has also performed, toured, and/or recorded with the bands of Maynard Ferguson, Lionel Hampton, Woody Herman, The Village Vanguard Jazz Orchestra, Louis Bellson, Anita Brown, Harry Connick Jr., John Fedchock, Mike Holober, Jihye Lee, Michael Leonhart, Pete McGuinness, Arturo O’Farrill, Jared Schonig, Helen Sung, and Chris Zuar. Pietro has worked with many other well-known musicians such as Paul Anka, Blood Sweat & Tears, David Bowie, Bobby Caldwell, Ray Charles, Rosemary Clooney, Michael Feinstein, Chaka Khan, Liza Minnelli, James Naughton and John Pizzarelli. In addition, he has studied East Indian music and performed with various groups led by Indian tablist Sandip Burman.

As a leader, Pietro has released 11 albums and his latest recording Satori (East 15 th -2025) features Michael Rodriguez, Gary Versace, Johannes Weidenmueller and Johnathan Blake. Esteemed jazz critic Bill Milkowski says “Satori is imbued with ebullience, crackling interplay and virtuosic displays of soloing. It’s a feast for the ears.” In 2024 Pietro released The Talisman, his first album for the storied Steeplechase label, featuring Scott Wendholt, Gary Versace, Jay Anderson and Billy Drummond. Stamish Malcuss of Jazz Sensibilites said of it… “The Talisman is a fine addition to the jazz canon, a beacon for Pietro’s discography, and it embodies the spirit of exploration and innovation at the heart of the genre.”

Hypersphere (ArtistShare-2020) features Alex Sipiagin, Gary Versace, Johannes Weidenmueller and Johnathan Blake, with guests Ryan Keberle and Rogerio Boccato. “With it Pietro has emerged as a leader of importance” says Thomas Conrad of Stereophile. Pietro’s first ArtistShare release New Road: Iowa Memoirs (2017), co-sponsored by the University of Iowa, was called “a carefully measured balance between structure and spontaneity, filled with inspirational performances by a top-flight ensemble” by Mark Holston of Jazziz magazine.

Embrace: Impressions of Brazil (A Records-2004), which features a host of musicians including Brazilian pianist Helio Alves and renowned Brazilian drummer Duduka DaFonseca was considered “a triumph…one of the most satisfying Brazilian jazz mixes since the first bossa nova tsunami” by Judith Schlesinger of AllAboutJazz. Standard Wonder: The Music of Stevie Wonder, (A Records), featuring Scott Wendholt, Pete McGuinness, David Berkman, Scott Colley and Brain Blade was voted one of the top-10 jazz albums of 2001 by Bob Blumenthal of the Boston Globe and Bill Milkowski of Jazz Times. Earlier A Records releases include Now Becoming Then (1999) with this same band except Mike Holober on piano, and his first two label releases for the label – Forgotten Dreams (1994) and Wind Dance (1998), both featuring the rhythm section of Kenny Werner on piano, Dave Holland on bass and Bill Stewart on drums.

Pietro co-led an international quartet “The New York-Tokyo Connection”(NYTC) with pianist Jonathan Katz; their third album Precious (Seven Steps) was released in 2014. In 2005 and 2007 Pietro received grants from Chamber Music America’s New Works Programs to compose and perform his new extended work The Chakra Suite (Challenge Records). Featuring Gary Versace, Rez Abbasi, Todd Isler, Johannes Weidenmueller and Adam Cruz, it was voted one of the top CD’s of 2008 by All About Jazz.

Pietro received a bachelor’s degree in music education from North Texas State University where he toured and recorded four albums with the school’s One O’Clock Lab Band. He has a Master of Arts degree in jazz composition from New York University where he is currently the Director of Jazz Studies. Pietro has given hundreds of workshops and concerts at schools around the world and is sponsored by D’Addario Woodwinds, the Conn-Selmer Instrument Company, and R.S. Berkeley Musical Instruments.

 

Tagged With: Dave Pietro Quartet, Side Door Jazz Cllub

Russell Hall Quintet

October 31, 2025 By Craig OConnell

Russell Hall Quintet

Russell Hall Quintet

By The Side Door Jazz Club
Friday, October 31 · 8 – 10:30pm EDT. Doors at 7:15pm

The Side Door

85 Lyme St Old Lyme, CT 06371

 

  • Doors at 7:15 PM

Mike Troy – Saxophone

Esteban Castro – Piano

Leo Larratt – Guitar

Russell Hall – Bass

Matt Lee – Drums

Born in Kingston, Jamaica, Russell Hall migrated to the United States in 2007 where his double bass studies progressed quickly through the rigorous programs of The Dillard Center for the Arts and The Juilliard School. Russell deeply understands the jazz tradition, having studied with many of the double bass world’s most renowned artists including Ron Carter and Ben Wolfe. Still, he is also an artist looking forward with his own distinct approach to the double bass.

As a first-call bassist in New York City, Russell has performed with some of the biggest names in music including Joey Alexander, Wayne Shorter, Wynton Marsalis, Branford Marsalis, Jon Batiste, Roy Hargrove, Kathleen Battle, Christian McBride, Emmet Cohen, Russell Malone, George Coleman and many more.

Well known for his work with the Emmet Cohen Trio alongside drummer Kyle Poole, Russell also leads his own bands, including Bessie and the Rainbowkids to much critical acclaim.

Tagged With: Russell Hall Quintet, Side Door Jazz Cllub

Mike LeDonne’s Groover Quartet

October 11, 2025 By Craig OConnell

Mike LeDonne’s Groover Quartet

By The Side Door Jazz Club, 85 Lyme St Old Lyme, CT 06371

Join us for a special night of jazz with Organist Mike Ledonne and his Quartet!

Saturday, October 11 · 8 – 10:30pm EDT. Doors at 7:15pm

Eric Alexander – Saxophone

Mike Leonne – Organ

Dave Stryker – Guitar

Jason Teimann – Drums

Pianist/Organist Mike LeDonne started playing piano at the age of 5 and was raised in his parent’s music store. By the age of 10 his father, a jazz guitarist, began booking him on gigs. He is now an internationally renowned pianist and organist with the unique experience of having played with a wide spectrum of jazz masters from Benny Goodman to Milt Jackson and Sonny Rollins. He has won praise not only from critics but from master musicians: Oscar Peterson picked him as one of his favorite pianists of today.

At age 21, Mike graduated from New England Conservatory in 1979 and moved to New York City with the Widespread Jazz Orchestra. In 1981, he left Widespread to travel to the UK with Panama Francis and the Savoy Sultans. On returning, he began a two-year stint as the house pianist at Jimmy Ryan’s, then one of New York’ s oldest jazz clubs. It was there that he came under the influence of and played with many old masters such as Roy Eldridge, Papa Jo Jones and Vic Dickenson. He spent 1982-1983 with the Benny Goodman sextet and went on to play with Buddy Tate, Al Grey, Ruby Braff and many others. Later he worked 1 year with the Art Farmer-Clifford Jordan Quintet, went to Paris with Grady Tate, and played with more modern masters like James Moody, Dizzy Gillespie, Stanley Turrentine, Charles McPherson, Sonny Rollins and Bobby Hutcherson. He also spent time as accompanist to singers Ernestine Anderson, Annie Ross and Etta Jones.

In 1988 he started playing with the Milt Jackson Quartet (along with Mickey Roker and Bob Cranshaw). Mr. Jackson recorded Mike’s compositions and arrangements. Mike also became the band’s musical director. In the fall of 1992, Mike was chosen to be part of a group of top young musicians for the Phillip Morris Superband World Tour. Mike served as musical director for that group, which featured Ryan Kisor on trumpet, Joshua Redman on tenor saxophone, Jesse Davis on alto saxophone, Christian McBride on bass and Lewis Nash at the drums. Around this time, Mike toured with the Newport All-Stars in lineups that featured Harry “Sweets” Edison and Clark Terry. Mike has been playing and recording with Benny Golson since 1997. He has also been leading trios that have included greats like Ron Carter, Jimmy Cobb, Billy Hart, Pete LaRoca and Louis Hayes.

Mike is on over 100 CD’s as a sideman and starting in 1988 recorded his first of 16 CD’s as a leader. Five on Criss Cross Jazz, three on Double Time Records, seven on Savant and one on Cellar Live. Many of hem award winning and include the greatest musicians around today including Tom Harrell, Gary Smulyan, Dennis Irwin, Kenny Washington, Steve Nelson, Ryan Kisor, Jim Rotondi, Joshua Redman, Lewis Nash, Peter Washington, Peter Bernstein, Eric Alexander, Jeremy Pelt, Joe Farnsworth, John Webber, Bob Cranshaw, Mickey Roker and Ron Carter.

In 2003 Mike recorded his first CD as a leader on the Hammond Organ, an instrument he’s been playing since he was 10. It documented the music of his organ band The Groover Quartet with Eric Alexander, Peter Bernstein and Joe Farnsworth. The CD went to #1 and together they’ve held down a now legendary gig on Tuesday nights at Smoke in NYC. He has since released 3 more CD’s of this band, on the Savant label, which he calls The Groover Quartet. They’ve toured in Europe and Japan as well as the States. Mike also caught the ears of George Coleman, Lou Donaldson and David Fathead Newman who all hired him to play organ in their bands. The Jazz Journalists Association nominated Mike for Best Keyboards 2012 for his “Keep The Faith” CD. Also in 2012, Mike won the Downbeat Rising Star Award for Organ.

Mike is the co-author of Jim Snidero’s Jazz Conception for Piano and Piano Comping books, on Advance Music. In Sept. In 2002 he joined the faculty at the Juilliard School of Music and spent 4 years there. He is also one of the founders of the Jazz For Teens program at the New Jersey Performing Arts Center in Newark, N.J.

Tagged With: Mike LeDonne's Groover Quartet, Side Door Jazz Cllub

Mike LeDonne’s Groover Quartet

October 10, 2025 By Craig OConnell

Mike LeDonne’s Groover Quartet

By The Side Door Jazz Club

Join us for a special night of jazz with Organist Mike Ledonne and his Quartet!

Friday, October 10 · 8 – 10:30pm EDT. Doors at 7:15pm
The Side Door, 85 Lyme St Old Lyme, CT 06371

Eric Alexander – Saxophone

Mike LeDonne – Organ

Dave Stryker – Guitar

Jason Teimann – Drums

Pianist/Organist Mike LeDonne started playing piano at the age of 5 and was raised in his parent’s music store. By the age of 10 his father, a jazz guitarist, began booking him on gigs. He is now an internationally renowned pianist and organist with the unique experience of having played with a wide spectrum of jazz masters from Benny Goodman to Milt Jackson and Sonny Rollins. He has won praise not only from critics but from master musicians: Oscar Peterson picked him as one of his favorite pianists of today.

At age 21, Mike graduated from New England Conservatory in 1979 and moved to New York City with the Widespread Jazz Orchestra. In 1981, he left Widespread to travel to the UK with Panama Francis and the Savoy Sultans. On returning, he began a two-year stint as the house pianist at Jimmy Ryan’s, then one of New York’ s oldest jazz clubs. It was there that he came under the influence of and played with many old masters such as Roy Eldridge, Papa Jo Jones and Vic Dickenson. He spent 1982-1983 with the Benny Goodman sextet and went on to play with Buddy Tate, Al Grey, Ruby Braff and many others. Later he worked 1 year with the Art Farmer-Clifford Jordan Quintet, went to Paris with Grady Tate, and played with more modern masters like James Moody, Dizzy Gillespie, Stanley Turrentine, Charles McPherson, Sonny Rollins and Bobby Hutcherson. He also spent time as accompanist to singers Ernestine Anderson, Annie Ross and Etta Jones.

In 1988 he started playing with the Milt Jackson Quartet (along with Mickey Roker and Bob Cranshaw). Mr. Jackson recorded Mike’s compositions and arrangements. Mike also became the band’s musical director. In the fall of 1992, Mike was chosen to be part of a group of top young musicians for the Phillip Morris Superband World Tour. Mike served as musical director for that group, which featured Ryan Kisor on trumpet, Joshua Redman on tenor saxophone, Jesse Davis on alto saxophone, Christian McBride on bass and Lewis Nash at the drums. Around this time, Mike toured with the Newport All-Stars in lineups that featured Harry “Sweets” Edison and Clark Terry. Mike has been playing and recording with Benny Golson since 1997. He has also been leading trios that have included greats like Ron Carter, Jimmy Cobb, Billy Hart, Pete LaRoca and Louis Hayes.

Mike is on over 100 CD’s as a sideman and starting in 1988 recorded his first of 16 CD’s as a leader. Five on Criss Cross Jazz, three on Double Time Records, seven on Savant and one on Cellar Live. Many of hem award winning and include the greatest musicians around today including Tom Harrell, Gary Smulyan, Dennis Irwin, Kenny Washington, Steve Nelson, Ryan Kisor, Jim Rotondi, Joshua Redman, Lewis Nash, Peter Washington, Peter Bernstein, Eric Alexander, Jeremy Pelt, Joe Farnsworth, John Webber, Bob Cranshaw, Mickey Roker and Ron Carter.

In 2003 Mike recorded his first CD as a leader on the Hammond Organ, an instrument he’s been playing since he was 10. It documented the music of his organ band The Groover Quartet with Eric Alexander, Peter Bernstein and Joe Farnsworth. The CD went to #1 and together they’ve held down a now legendary gig on Tuesday nights at Smoke in NYC. He has since released 3 more CD’s of this band, on the Savant label, which he calls The Groover Quartet. They’ve toured in Europe and Japan as well as the States. Mike also caught the ears of George Coleman, Lou Donaldson and David Fathead Newman who all hired him to play organ in their bands. The Jazz Journalists Association nominated Mike for Best Keyboards 2012 for his “Keep The Faith” CD. Also in 2012, Mike won the Downbeat Rising Star Award for Organ.

Mike is the co-author of Jim Snidero’s Jazz Conception for Piano and Piano Comping books, on Advance Music. In Sept. In 2002 he joined the faculty at the Juilliard School of Music and spent 4 years there. He is also one of the founders of the Jazz For Teens program at the New Jersey Performing Arts Center in Newark, N.J.

Tagged With: Mike LeDonne's Groover Quartet, Side Door Jazz Cllub

Simon Moullier Trio

October 3, 2025 By Craig OConnell

Friday, October 3 · 8 – 10:30pm EDT. Doors at 7:15pm

The Side Door, 85 Lyme St Old Lyme, CT 06371

 

  • 2 hours 30 minutes

 

  • Doors at 7:15 PM

Simon Moullier – Vibraphone

Giuseppe Cucchiara– Bass

Alon Benjamini– Drums

“Best vibes player I’ve heard…” – Quincy Jones

“His music is fresh, it speaks to everyone. Never heard anyone play vibes like that before.” – Herbie Hancock

“Simon Moullier is the unchallenged new star of jazz vibraphone.”  – Brian Morton, DownBeat

—————————————

Award-winning vibraphonist, composer, arranger and producer, Simon Moullier has distinguished himself as one of the leading voices of his generation.

After being mentored by Quincy Jones, Herbie Hancock, Wayne Shorter, and Jimmy Heath at the Thelonious Monk Institute, and Darren Barrett at Berklee College of Music – he has since worked with Gerald Clayton, Ben Wendel, the SF Jazz Collective, Terri-Lyne Carrington, and is featured on recordings with Mark Turner, Kendrick Scott, Miguel Zenon..

As a bandleader Simon has released five albums, one of which was nominated in the “Best New Jazz Artist” category at the Jazz Music Award in 2022.

In 2023, he was recognized for his participation as an arranger on Terri-Lyne Carrington’s GRAMMY-Award winning “New Standards Vol 1”, followed by another GRAMMY-Award recognition for his participation in Laufey’s “Bewitched”.

Simon was voted ‘Rising Star Vibraphone Player of the Year’ in Downbeat’s 71st Annual Critics Poll, ‘25 For the Future’ in DownBeat’s 90th Anniversary Edition, and ‘Up-and-Comer of the Year’ by The New York City Jazz Records.

His most recent album ‘Elements of Light’ was released on Sep 20, 2024 on Candid Records.

Simon is an active touring musician, having performed worldwide at many of the most-respected jazz clubs and festivals, including the Village Vanguard, Blue Note Tokyo & Beijing, Jazz en Tete, and Festival Radio France Montpellier in France, Chiapas Marimba Festival in Mexico, The International Jazz Day Festival in Havana, Cuba & St. Petersburg, Russia.

As an educator, he has given many masterclasses over the world and has taught in schools such as Berklee College of Music & the Hague Royal conservatory.

Tagged With: Side Door Jazz Cllub, Simon Moullier Trio

Caelan Cardello Trio Album Release Celebration

September 12, 2025 By Craig OConnell

Caelan Cardello Trio Album Release Celebration

Friday, September 12 · 8 – 10:30pm EDT. Doors at 7:15pm
The Side Door, 85 Lyme St Old Lyme, CT 06371

Caelan Cardello – Piano

Jonathon Muir Cotton – Bass

Domo Branch – Drums

Born and raised in Teaneck, NJ, Caelan Cardello has been playing piano since the age of 5. He grew up studying jazz and classical separately, and was performing professionally by the age of 16. He attended Jazz House Kids for 7 years, and was given opportunities to learn from the greatest jazz mentors and play on stages like Dizzy’s Club, The Jazz Standard, and the Newport Jazz Festival.

Caelan has performed with Christian McBride, Joe Farnsworth, Jimmy Cobb, Cecile McLorin Salvant, Bill Charlap, and Rufus Reid, to name a few. He was selected as one of 5 finalists in the prestigious 2023 American Pianists Association Jazz competition.

Caelan graduated from William Paterson University with a bachelor’s in Jazz Performance in 2022 and just graduated this year with his master’s degree from the Juilliard School. He regularly plays in NYC leading his own bands or as a sideman, and tours around the country frequently.

Tagged With: Caelan Cardello Trio Album Release Celebration, Side Door Jazz Cllub

Peter Bernstein Quartet

September 6, 2025 By Craig OConnell

Peter Bernstein Quartet

Saturday, September 6th, September 6 · 8 – 10:30pm, Peter Bernstein Quartet at The Side Door Jazz Club
The Side Door, 85 Lyme St Old Lyme, CT 06371

Peter Bernstein – Guitar

Sullivan Fortner – Piano

Vicente Archer – Bass

Billy Drummond – Drums

Peter Bernstein was born in New York City in 1967. He has been playing and recording since 1990 when he first appeared on recordings with Lou Donaldson and the organ trio of Larry Goldings and Bill Stewart, a group still touring and recording today. Peter played in Lou Donaldson’s group for 10 years as well as performing and recording with Joshua Redman’s group 1995-97. Other associations and collaborations include Jimmy Cobb, Dr. Lonnie Smith, David Fathead Newman, Brad Mehldau, Etta Jones, Melvin Rhyne, Diana Krall, Bobby Hutcherson, Lee Konitz, Nicholas Payton, George Coleman, and Sonny Rollins. Peter has played on festival, concert, and club stages all over the world since the early 90’s. He has appeared on over 300 recordings with these musicians and many of his contemporaries as well as 14 records under his own name. These recordings have featured many of his own compositions and musicians such as Brad Mehldau, Christian McBride, Greg Hutchinson, Jimmy Cobb, Bill Stewart, Larry Grenadier, Gerald Clayton, Sullivan Fortner, Peter Washington, Doug Weiss, and Joe Farnsworth among others. His latest recording on the Smoke Sessions label is “Better Angels”, and features Brad Mehldau, Vicente Archer, and Al Foster.

Tagged With: Peter Bernstein Quartet, Side Door Jazz Cllub

Yoko Miwa Trio

August 30, 2025 By Craig OConnell

Yoko Miwa Trio

The Side Door Jazz Club

815 followers
Lots of repeat customers 📈
Saturday, August 30 · 8 – 10:30pm EDT. Doors at 7:15pm
The Side Door
85 Lyme St Old Lyme, CT 06371

Internationally acclaimed pianist/composer Yoko Miwa is one of the most powerful and compelling performers on the scene today. Her trio, with its remarkable telepathy and infectious energy, has brought audiences to their feet worldwide. Yoko was named a Rising Star Pianist in the 2022, 2023, and 2024 DownBeat Critics Poll. The Yoko Miwa Trio’s 2021 release Songs of Joy received wide acclaim and reached #1 on national jazz radio charts and was voted a best jazz album of 2021 in the DownBeat 86th Annual Readers Poll. Jazziz called it “a radiant new collection.” CD Hotlist said “…yet another triumph from one of America’s finest jazz pianists, composers, and bandleaders.” Their 2019 CD, Keep Talkin’, showcases Miwa’s fine playing and artful compositions and the trio’s uncanny musical camaraderie. DownBeat gave the recording four stars, calling it “a beautifully constructed album” and noting “the drive and lyricism of a pianist and composer at home in bebop, gospel, pop, and classical.” JazzTimes also reviewed the album favorably, praising Miwa’s “jaw-dropping degree of technique.” The album enjoyed seven weeks in the top 10 on Jazz Week’s charts, much like its predecessor, Miwa’s 2017 release Pathways, which also made Jazz Week’s top 10 for several weeks. In a 2017 feature article on Miwa, DownBeat noted her “impressive technique and a tuneful lyricism that combines an Oscar Peterson-ish hard swing with Bill Evans-like introspection.”

For more than a decade Miwa’s trio has played regularly at major jazz clubs in their home city of Boston, as well as venues around the world. A favorite of Jazz at Lincoln Center, Miwa was chosen to play on “Marian McPartland & Friends,” part of the Coca-Cola Generations in Jazz Festival. She was also chosen to perform at Lincoln Center’s annual Jazz and Leadership Workshop for The National Urban League’s Youth Summit. Miwa also appears regularly at New York’s famed Blue Note Jazz Club as well as Birdland and has performed and/or recorded with a wide range of jazz greats including Sheila Jordan, Slide Hampton, Arturo Sandoval, George Garzone, Jazzmeia Horn, Jon Faddis, Jerry Bergonzi, Esperanza Spalding, Terri Lyne Carrington, Peter Washington, Kevin Mahogany, John Lockwood, Dominique Eade, Calvin Keys, and Johnathan Blake among others. In 2018 she performed on the main stage at the Atlanta Jazz Festival and the Litchfield Jazz Festival, where her trio drew the largest audience of any act. She is a Yamaha Pianos Artist, JVC Victor Entertainment and Ubuntu Music recording artist, 10X nominated and 2019 Winner in the Boston Music Awards as Jazz Artist of the Year, and Boston Phoenix Best Music Poll winner.

Miwa’s story of becoming a jazz musician is full of serendipity and happy twists of fate. In the late 1990s the classically-trained artist auditioned for Berklee College of Music on a lark and ended up winning a full scholarship. She arrived at the school from her homeland of Japan in 1997, intending to stay for a year. In 2022, she’s still in Boston, enriching the city’s musical life and serving as one of the most popular professors in the Berklee piano department.

Act Naturally, the Yoko Miwa Trio’s major label debut in Japan, came out in 2012 on the JVC Victor Entertainment label and the band toured Japan that same year. “She is one of the best jazz pianists in Japan,” said Yozo Iwanami, Jazz Hihyo Magazine.

A native of Kobe, Japan, Miwa didn’t pursue an interest in jazz until she met and studied with Minoru Ozone, a popular television organist and nightclub owner who is the father of pianist Makoto Ozone. Miwa worked at Ozone’s club and as an accompanist and piano instructor at his music school until the great Kobe earthquake of 1995 destroyed both facilities. Then, while continuing to take private lessons from Minoru Ozone, she also pursued musical studies at the Koyo Conservatory in Kobe. From there she won first prize in a scholarship competition to attend Berklee. Miwa quickly began playing with a host of talented students and teachers, and she formed a strong bond with vocal great Kevin Mahogany, who chose the pianist to serve as accompanist in his classes and on his gigs.

Miwa has released nine highly acclaimed CDs: In the Mist of Time (Tokuma, 2000); Fadeless Flower (Polystar, 2002); Canopy of Stars (Polystar, 2004); The Day We Said Goodbye, recorded live at the studios of WGBH-FM (Sunshine Digital, 2006); Live at Scullers (Jazz Cat Amnesty, 2011); Act Naturally (JVC Victor Entertainment, 2012), Pathways (2017), Keep Talkin’ (2019), and Songs of Joy (Ubuntu Music, 2021).

Tagged With: Side Door Jazz Cllub, Yoko Miwa Trio

Paul Cornish Trio

August 29, 2025 By Craig OConnell

Paul Cornish Trio

Join us for a special night of jazz with pianist Paul Cornish and his Trio!

By The Side Door Jazz Club

Friday, August 29 · 8 – 10:30pm EDT. Doors at 7:15pm

The Side Door, 85 Lyme St Old Lyme, CT 06371

Every artist who records for Blue Note is part of a grand legacy, now in its 86th year. But pianist Paul Cornish is a torchbearer for several remarkable Blue Note legacies, all at once. Which makes You’re Exaggerating!, his powerfully lyrical trio debut for the label, a mission statement for Blue Note’s next generation.

To begin, Cornish is part of a great heritage of jazz piano that has unfolded at the label, from Blue Note’s first 78-rpm releases by Meade Lux Lewis and Albert Ammons through Bud Powell, Thelonious Monk, Horace Silver, Herbie Hancock, McCoy Tyner, Andrew Hill, Don Pullen, Geri Allen, Jacky Terrasson, Gonzalo Rubalcaba, Renee Rosnes, Aaron Parks, Gerald Clayton and beyond.

Then, he’s part of a lineage of Blue Note artists, past and present, who hail from Houston, Texas, and developed at the city’s Kinder High School for the Performing and Visual Arts, a.k.a. HSPVA. That more recent hall of fame includes Jason Moran, Robert Glasper, Walter Smith III, Kendrick Scott, Chris Dave and James Francies. Of course, within that list there’s yet another bloodline, of musicians who’ve come to define jazz pianism in the 21st century: Moran, Glasper, Francies and, now, Cornish, who was born and raised in Houston and has been based in Los Angeles for over a decade.

In many ways, Cornish is the most profound embodiment yet of Blue Note’s regenerative influence — the idea that, like the label’s landmark midcentury recordings, Blue Note LPs of recent vintage have had a seismic impact on jazz’s ever-evolving sound. “Those early Robert Glasper records on Blue Note, like Canvas and In My Element, were my first window into this legacy I’m part of,” says Cornish, whose profile has elevated of late through his work with fellow Blue Note artist Joshua Redman. “I look at Jason Moran as the catalyst. And Glasper took some of that and added a whole other thing to it, and then James took it even further. With each one of us, it evolves and expands.”

Cornish shares with those players a rare duality, having cultivated a unique identity while also evoking radiant bits and pieces of jazz’s past. You’re Exaggerating! features Cornish with the rhythm tandem of bassist Joshua Crumbly and drummer Jonathan Pinson, performing nine original compositions, most of them inspired by personal memories, reflections and idols.

“Quienxiety” is an expression of how Cornish’s calm exterior obscures inner-turmoil. “I’m a chronic overthinker,” he reveals. “I’m a people-pleaser.” “5AM,” with its open-ended, dreamlike arpeggios, meditates on the varying implications a twilit hour can have for a young man at different points in his life. “There have been times where I was up at 5 a.m. to work out or shed and be an ambitious college student,” he says. “And there were other times where I was up at 5 a.m. on a different vibe.” Cornish pays tribute to one of his most important influences, the late, great Geri Allen, with the kinetic “Queen Geri,” which was inspired by the revered pianist’s piece “Drummer’s Song.”

“She would bring a more avant-garde and adventurous spirit to more traditional settings, and vice versa,” Cornish says. His homage is also an investigation of gender issues within jazz. “I do think that some of the most brilliant yet unfortunately overlooked minds in this music have been women,” he says.

Other album highlights tend toward a catalyst that is more purely musical. A recorded rhythm from drum titan Ben Riley provided the launch pad for “Palindrome,” featuring a guest appearance by guitarist Jeff Parker, whose impeccable taste complements the tune’s inquisitive contours, which are Monkian yet sleeker. “Modus Operandi” finds its spark in Moran’s Bandwagon and Baroque counterpoint. The edgy “DB Song” is named for drum and bass, though its more apparent muse is the visual experimentation of artist David Hammons.

In fact, Cornish explains, the entirety of You’re Exaggerating! is a kind of exercise in additive abstraction — a mystery in which the feeling of beguilement, rather than the resolution, is the point. Helmed by a generous, uplifting bandleader, the trio chops up and reinvents the groove at will, and embarks on unforeseen detours. Cornish’s approach, in its even-keeled texture and shrewd harmony, is a sort of mastery that entices rather than merely impresses. Under the sonic direction of L.A. musician-producer Henry Solomon, the trio was recorded in a way to allow for Cornish’s dynamics and touch to shine through. “Me and Henry talked about the frustrations we feel with how a lot of jazz records sound,” says Cornish, adding that “he understands the nuances and complexities that are in my music, and in me as a person.”

Who Paul Cornish is as a person has everything to do with Houston — a place where progressiveness and tradition exist in equilibrium, producing a culture and institutions that foster generation-defining talent. He showed interest in the drums as a toddler and studied percussion during grade school. Classical piano lessons began at age 5, and Cornish discovered jazz performance in his middle-school jazz band. His passion deepened at Houston’s longrunning Summer Jazz Workshop, where he met Francies, a couple of years Cornish’s senior.

In Houston fashion, the church also played a pivotal role in his evolution. By middle school he was a paid working musician, leading programs of genre-blurring contemporary gospel at a youth church. He graduated to adult congregations, and to a three-service, full-day grind that taught him invaluable lessons in commitment and purpose he’d use later as a touring musician. “I still play in church to this day,” Cornish says, “and it instills this idea that you’re in service to something that’s larger than yourself. You’re a vessel for a message.”

“Continuing the legendary lineage of Houston pianists while still carving out your own lane is not an easy feat,” says Glasper. “Paul is doing just that, giving us a few pages from his personal story. Understanding the history but not being held back by the history is the ongoing struggle of the modern jazz musician. But there is no history without the now.”

Cornish relocated to the West Coast to attend the USC Thornton School of Music, and was chosen for the elite fellowship at UCLA’s Herbie Hancock Institute of Jazz. There, he developed a personal and creative relationship with Hancock and artist-in-residence Wayne Shorter — two of his lodestars, and epochal figures in Blue Note history. From Hancock, Cornish learned the necessity of being a good person — the icon’s favorite dictum that music is what you do, not who you are. At the institute, he absorbed the realization that he was going to have to make his own way. “It was really an education in who are you gonna be?” Cornish says.

He’s spent his years in L.A. sketching out an answer, with thrilling results. He’s collaborated with pop visionaries including Kanye West, Louis Cole, HAIM and Snoh Aalegra, and made his way into one of the finest working groups in all of jazz. On Words Fall Short, the most recent Blue Note album from saxophonist Joshua Redman, Cornish matches the leader’s mix of poise and emotional openness with his own contemplative language. Cornish has strived to internalize Redman’s “devotion to excellence,” he says. “He might be the most consistent person I’ve ever met in my life, in how he takes care of himself and the music.”

All of these experiences and mentors track throughout You’re Exaggerating!, a thoroughly compelling listen that ranks among Blue Note’s most auspicious debuts. Not that Paul Cornish, whose conversation is defined by its humility, would make such pronouncements himself. “Watching those players before me in Houston, it just gave me motivation to keep working hard,” he says. “I’m really just grateful to be a part of this story.”

Tagged With: Paul Cornish Trio, Side Door Jazz Cllub

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