Alexander Claffy Quintet “The Music of Cole Porter”
Join us for a special night of jazz with Bassist Alexander Claffy and his Quintet performing the music of Cole Porter!
The Side Door, 85 Lyme St Old Lyme, CT 06371
Greater New Haven's Community Resource for Jazz since 1996
Join us for a special night of jazz with Bassist Alexander Claffy and his Quintet performing the music of Cole Porter!
The Side Door, 85 Lyme St Old Lyme, CT 06371
Eric Alexander – Saxophone
Matthew Rotker Lynn – Guitar
Adam Birnbaum – Piano
Alexander Claffy – Bass
Adam Arruda – Drums
From birth, Alexander Claffy was raised in a musical household (his father is a pianist, his mother, a vocalist), and had many of his earliest lessons on bandstands in the heart of Philadelphia. As a teenager, Claffy was fortunate enough to find a mentor in many Philly natives, and has continued his study of the double bass with some of the world’s finest musicians, including Ron Carter, Dwayne Burno and Orin O’Brien. Since moving to New York City in 2011, he has had the honor of working with many of his living heroes, including Jimmy Cobb, Louis Hayes, Harold Mabern, Kurt Rosenwinkel, Christian Scott, Joey Alexander, Wallace Roney and many more. In the past 3 years he has recorded for the Verve, HighNote, Positone, RopeADope and LaReserve record labels.
Join us for a special night of jazz with Drummer Jonathan Barber and his band Vision Ahead!
The Side Door Jazz Club, 85 Lyme St Old Lyme, CT 06371
Jonathan Barber – Drums
Tony Davis – Guitar
Matt Knoegel – Saxophone
Cameron Campbell – Piano
Matt Dwonszyk – Bass
International Recorded artist, composer, educator and bandleader Jonathan Barber was voted the #1 Up-and-Coming Drummer of 2018 in Modern Drummer. Barber has already recorded and toured worldwide with such artists as Pat Metheny, Terence Blanchard, Christain McBride, Erykah Badu, Nicholas Payton, Buster Williams, Jimmy Greene, Jeremy Pelt, Wallace Roney, Terrace Martin, Gretchen Parlato, Jennifer Holiday, Steve Davis, J.D. Allen, Walter Smith III, The Brooklyn Philharmonic and many more.
In addition to his first-call status as a sideman, Barber has stepped forth as a composer and leader with his band Jonathan Barber & Vision Ahead. Even with Barber’s history of high-profile gigs and recordings taken into consideration, DownBeat magazine gave his latest album “Legacy Holder” 4.5 stars. Jonathan Barber & Vision Ahead is a powerful declaration of intent for a band that’s been making waves on the modern jazz scene. Barber’s blend of classic, swinging jazz with elements of gospel, rock, soul, and fusion is a compelling showcase of Barber’s broad stylistic range as a drummer, performer and composer. Jonathan Barber & Vision Ahead was featured and headline the Rainy Days Jazz Festival held in St. Petersburg and Moscow, Russia, Hartford Jazz Festival, Clifford Brown Jazz Festival, Pittsburgh Jazz Festival as well jazz venues around the world. Since 2020, Jonathan Barber & Vision Ahead have been completed three National tours across the United States.
Being an independent artist Jonathan Barber has released 5 albums with Vision Ahead: Vision Ahead (2018), Legacy Holder (2020), Live at Jazz Standard (which is exclusively on Bandcamp, 2020), Poetic (2022) and In Motion (2024).
Gearing up for their new album release “In Motion” Jonathan Barber & Vision Ahead will embark upon their first International Tour performing at Musig Im Pflegidach (Muri, Switzerland), Ronnie Scott’s (London, U.K.) and Duc Des Lombards (Paris, France).
Stepping into the role as a Drum Clinician, Barber toured as solo clinician in Latin America and China Barber and has been featured artist at PASIC convention.
Barber endorses Ludwig Drums, Istanbul Agop Cymbals, Evans Drumheads, Promark Drumsticks and Sunhouse Percussion.
Barber recently has been appointed as Jazz Drum Professor at the University of Connecticut.
“I recognize my God given gift. Maximizing this gift to its full potential is the best thing you can do for yourself. Operating in this gift is how you give back to the world.”
Shawnn Monteiro – Vocals
Matt DeChamplain – Piano
Dave Zinno – Bass
Steve Langone – Drums
Exciting, captivating and completely distinctive” is how most jazz cognoscenti describe Shawnn’s pulsating lyric style. Whether in the intimacy of a club date or the glitter of a Las Vegas showroom, Shawnn has delighted audiences from USA to Europe with her highly popular jazz repertoire laced with blues-oriented improvisations.
Evident in Shawnn’s liveliness of lyrical phrasing and intermittent scat variations is the influences of Carmen McRae and Sarah Vaughan, from whom she draws that inner core of creative energy. But good genes help, too. Shawnn’s father was the late renowned bassist Jimmy Woode, veteran of the Duke Ellington band. Throw into the mix, a lot of musical inspiration and guidance from her Godfather, Clark Terry, and you come up with a combination that can’t miss.
Percussion great and latin/jazz impressario Mongo Santamaria discovered Shawnn working in a club in San Jose, California and signed her on the spot to tour with his band. Shawnn electrified audiences as his only vocalist and female percussionist during that two-year circuit where she shared the stage with such greats as Stan Kenton, Celia Cruz, the Fania All-Stars, and Weather Report.
Since then, Shawnn has shared the stage with a prestigious list of notables jazz names: Clark Terry, Red Holloway, Ray Brown, Lionel Hampton, Frank Foster and the Basie Band, Nat Adderly, Kenny Barron, Hank Jones, Bobby Durham, James Williams, Jimmy Cobb, Keter Betts, Stanley Jordan, Ed Thigpen, Johnny Griffin, and Benny Golson….to name a few.
Ms. Monteiro has delighted audiences from the USA to Europe with her highly popular jazz repertoire laced with blues-oriented improvisations and the American Songbook. The true quality of Shawnn’s voice is best experienced in the ultimate setting of the club dates where her warm charisma can be personally felt by those fortunate enough to spend an evening with her,
She continues to teach Master Classes all over the world, including one ongoing every summer in Italy since 1995. She is a former adjunct Professor at the Hartt School/Jackie McLean Institute of Jazz , University of Hartford, Hartford, Connecticut and also Rhode Island College in Providence Rhode Island.
Her popularity continues to grow as club-goers from Los Angeles to Rome extol the special feelings they share as she lulls them into a mellow mood as only a sensitive jazz vocalist can do. The true magical quality of Shawnn’s exciting voice is best experienced in the ultimate setting of the club dates where her warm charisma can be personally felt by those fortunate enough to spend and evening with her.
Shawnn teaches a Master Vocal Class in Rome and Genova, Italy every summer. (Ongoing since 1995)Artist in Residence – 2 Years at Rhode Island College (Jazz Vocals)
She was an adjunct Professor (in Jazz Vocals) at both Rhode Island College, Providence, RI and Hart School of Music, Univ. of Hartford, Hartford, CT.
Most recently, Shawnn taught a master class at Berklee College of Music, Boston MA
Performances at Chans Woonsocket, City Winery Boston and private events.
Join us for a special night with the Sean Nelson Jazz Orchestra (formerly the New London Big Band) and the start of their monthly residency!
The Side Door, 85 Lyme St Old Lyme, CT 06371
Saxes:
Erik Elligers
Tyler Wilkins
Matt Parker
Josh Thomas
Matt Schmidt
Trumpets:
Don Clough
Seth Bailey
Luke Wingfield
Haneef Nelson
Trombones:
Sean Nelson
Leroy Loomer
Vince Yanovitch
Wes Mayhew
Jen Allen – piano
Gianni Gardner – guitar
Lou Bocciarelli – bass
Dan Pugach – drums
Introducing the premier of the newly rebranded ensemble (formerly called the New London Big Band) at their new home at the Side Door Jazz Club! This show will feature signature tunes from the band’s catalog, as well as some new compositions from members of the band. The Sean Nelson Jazz Orchestra is a “full bodied and polished brassy big band” (Jazz Weekly) made up of 17 of the finest musicians in New England. Formed in 2016 as the New London Big Band, for the past nine years they have played monthly for sold out crowds at the Social Bar + Kitchen in New London CT. The band has performed all over the country, including the Kennedy Center (Washington DC), the Birdland Jazz Club (NYC), Monks Jazz Club (Austin TX), and Hallowed Halls (Portland OR). The band has released three albums, the most recent of which, “Don’t Stop Now: the lost music of Thad Jones for Harry James,” reached #29 on the jazz radio charts.The band’s sound is rooted in the Kansas City swing of Count Basie, “swinging high, hard, and hot” (All About Jazz.) “Nelson…has assembled a youthful, sharp, hip 17-piece ensemble as dedicated as he is to the belief that big band sounds can provide a fine musical experience — one best served up live, where the groove and excitement of the arrangements and instrumental interplay can energize and pack a dance floor across generations.” (The Day of New London)Sean Nelson is the leader and founder of the band. By day, he is enlisted in the U.S. Coast Guard, where he plays trombone with the Coast Guard Band’s concert band and jazz ensembles, serves as staff arranger, and is music director for the Guardians Big Band.Nelson was music director and arranger for the 2024 National Christmas Tree Lighting with the Coast Guard’s Guardians Big Band, creating over 500 pages of arrangements. This was performed in front of the White House and seen nationally on CBS. Sean was one of two composers that co-created the official song of the Space Force, Semper Supra, which is now part of every Armed Forces Medley. He also composed the official song for the National Oceanic and Atmospheric Administration officer corps (one of the eight federal uniformed services). He has won the National Band Association Young Composers Jazz Composition Contest and is a two time winner of Downbeat Magazine’s jazz arranging award. He currently works as the arranger for Sam Houston State University Bearkat Marching Band. Sean’s big band arrangements are published at iJazzmusic.com.A native of Dallas, Texas, Sean received a Bachelor of Music degree from Sam Houston State University and a Master of Music degree from the University of North Texas. While at North Texas, he was trombonist and composer for the One O’Clock Lab Band and sang with the Jazz Singers I. Sean’s trombone quartet won the International Trombone Association Quartet Contest. He spent his summers and winter breaks playing in house bands on cruise ships for Princess Cruises and Cunard Cruises.Sean lives in Quaker Hill, Connecticut, with his wife Megan and children Lucinda, Giles, McCoy, and Cab.Sean is a performing artist for S.E. Shires trombones and Denis Wick mouthpieces and mutes.
The Side Door, 85 Lyme St Old Lyme, CT 06371
Aaron Goldberg – Piano
John Patitucci – Bass
Obed Calvaire – Drums
“For over 20 years, pianist Aaron Goldberg has set himself apart as one of the most scintillating performers in jazz,” hails JazzTimes. Goldberg is widely heralded as one of the art form’s most compelling pianists, both leading his own trio and collaborating with such brilliant icons as Joshua Redman, Wynton Marsalis, Kurt Rosenwinkel, Guillermo Klein and many more. Simultaneously swinging and embracing risk, his stylistically fluid, singular voice reveals that jazz is a tradition of innovation.
Goldberg became a jazz devotee in high school as a student at Milton Academy in Boston. He was introduced to the African-American art form by bassist and master educator Bob Sinicrope, and at age 16 began study with saxophonist Jerry Bergonzi. As Aaron puts it, “At first improvisation was a mystery and a puzzle, but soon it became a profound inner and outer journey as life and music entwined.” After receiving awards from Berklee College of Music and Downbeat Magazine, he moved to New York City at 17 to attend The New School for Jazz and Contemporary Music. Devoting himself entirely to music for the first time, he won the NFAA Recognition and Talent Search and IAJE Clifford Brown/Stan Getz Fellowship, attending classes by day and performing in NYC clubs by night, inspired by NYC’s myriad living masters.
After spending a year at The New School, Aaron enrolled at Harvard College and began a cross-disciplinary program in philosophy, psychology and the history of science. He graduated magna cum laude in 1996 with a concentration in Mind, Brain and Behavior. While at Harvard he juggled academics with an equally intense musical docket. At age 18 he was discovered by the inimitable vocalist Betty Carter and became a founding member of Carter’s famed Jazz Ahead throughout his college years. He performed locally with Boston legends Jerry Bergonzi, Alan Dawson, and Bill Pierce, played every weekend at Wally’s Café and spent summers in NYC on the bandstand with up-and-coming talents such as Mark Turner and Omer Avital.
Aaron promptly moved back to New York after college, continuing his ascent in bands led by a cross-generational array of icons including Al Foster, Freddie Hubbard, Nicholas Payton, Stefon Harris, Tom Harrell, and Gregory Tardy among others. In late 1997 he formed his first trio with bassist Reuben Rogers and drummer Eric Harland, a widely acclaimed empathic unit that would perform and record consistently for the next two decades and leave their mark upon a generation of musicians.
Beginning in early 1998 Aaron began to garner worldwide attention touring and recording with the Joshua Redman Quartet, marking the beginning of a longstanding artistic collaboration and friendship that endures today. In 2004 he began a four-year tenure with guitar guru Kurt Rosenwinkel, and in 2005 toured extensively with Wynton Marsalis’s quintet as well as the Lincoln Center Jazz Orchestra. Despite this demanding schedule Aaron earned an M.A. in Philosophy at Tufts University in 2010 under Daniel Dennett, commuting for class and writing papers while on the road. Over the past decade he has toured extensively with his own Trio as well as the Joshua Redman Quartet, carving time for collaborations with some of his other favorite artists including Cecile McLorin Salvant, Ron Carter, Joe Lovano, Peter Bernstein, Camila Meza, Ravi Coltrane, Carl Allen, Madeleine Peyroux, John Ellis and Eli Degibri.
Aaron’s most recent recordings as a bandleader include At the Edge of the World (2018, Sunnyside Records) which features bassist Matt Penman and master drummer/body percussionist Leon Parker. Jazziz notes that the album “rekindles a musical relationship that in the past has provided many sparks and no shortage of fireworks.” The Now (2015) foregrounds his original trio comprising two of the finest musicians of his generation, Reuben Rogers and Eric Harland. These follow upon Home (2010) and Worlds (2006), also on Sunnyside, which both capture the sensitivity and dynamism of this tight-knit trio along with special guests. The three recently returned to the studio for an upcoming trio release in 2023. Given that Goldberg’s debut recording, Turning Point, first appeared on the J Curve label in 1999, followed by Unfolding on the same imprint in 2002, the upcoming album will mark 25 years of musical fellowship.
Aaron’s contemporaneous collaborative project Yes! Trio is a trilateral celebration co-led by Omer Avital and Ali Jackson Jr. Groove du Jour (2019) marks their long-awaited release on the Jazz & People label, after their eponymous debut on Sunnyside in 2012. “This sensational meeting of players is a near-perfect mixture of ingredients, bristling with braggadocious energy” says DOWNBEAT. Goldberg’s other critically acclaimed collaborations include a unique co-led album with Argentinian master composer Guillermo Klein entitled Bienestan (2011), as well as an upcoming duet project with Palestinian qanunist and vocalist Ali Paris, exploring the intersections of Arabic traditions and jazz as well as art and politics. As a co-leader Goldberg recorded 4 albums with the OAM Trio, appears upon over 100 more as a sideman, and co-wrote with John Ellis a series of educational cd’s for children entitled Baby Loves Jazz.
As a citizen Aaron maintains an active interest in education and political engagement, including in the role of music in society as a whole. In 2004, 2008, 2012, 2016, and 2020 he produced and performed in Jazz for America’s Future, Jazz for Obama, Jazz for Obama 2012, Jazz For America’s Future 2016 and Jazz for America, historic fundraising concerts for the presidential campaigns of John Kerry, Barack Obama, Hillary Clinton, and Joe Biden. Aaron is a member of the faculty at both the New School for Jazz and Contemporary Music and William Paterson University, and frequently travels as a clinician to conservatories and workshops across the world. In 2019, Goldberg received an Honorary Doctorate in Music from University of the Arts Helsinki– the highest acknowledgement that the university can confer.
Throughout his career Aaron Goldberg has surrounded himself with kindred spirits in pursuit of the highest expression. He and his bandmates embody the best of what jazz can be today: the ability to speak together in a progressive voice, marking both present and future with their creative stamp. Aaron’s joy in communal improvisation continues to inspire audiences around the planet, empowering the human spirit to embrace each moment.
Join us for a special night of jazz with clarinetist/saxophonist Ken Peplowski and his Quartet!
Ken Peplowski – Clarinet
Tardo Hammer – Piano
Martin Wind – Bass
Phil Stewart – Drums
There can be few readers of The Clarinet who are unfamiliar with the outstanding artistry and career of Ken Peplowski. He is one of the finest jazz instrumentalists on the scene today. Russell Davies of BBC Two hailed him as the greatest living jazz clarinetist. The Siletz Bay Music Festival in Oregon referred to him as “the living Benny Goodman.”1
Ken is also one of the most recorded jazz players to date, with over 50 CDs as soloist and nearly 400 as a featured sideman. He has performed with Charlie Byrd, Mel Tormé, Rosemary Clooney, Hank Jones, Peggy Lee, Bill Charlop, Woody Allen, Benny Goodman and many other legendary musicians. Centered in New York City, Ken travels about half the year playing in clubs, colleges, jazz societies, parties, concert halls and festivals. He is a longtime performer on and consultant to The Jazz Cruise, and in 2013 was elected into the Jazz Cruise Hall of Fame. In addition, Ken is the artistic director of the Newport Beach (California) Jazz Party and the Sarasota (Florida) Jazz Festival, where he was awarded the “Satchmo” award for his “unique and enduring contribution to the living history of jazz.”2 Much of his work on the road is done with his big band or his quartet. Wherever he plays, Ken is received with great admiration by his audiences.
Immediately noticeable at a Ken Peplowski performance or on his recordings is his amazing technical fluency. He has complete command of the instrument at every tempo and a rock-solid sense of rhythmic drive in ballads, standard songs, and up-tempo traditional jazz tunes. His sound is full, rich and warm in all registers. When students come to him with an interest in learning how to become jazz players, he starts with the importance of breath and air support and works with them on the rudiments of a pure classic sound and even finger technique.
Growing up in Cleveland, Ohio, in the 1960s he heard Robert Marcellus in the Cleveland Orchestra and on recordings, and studied for three months with Ted Johnson, a member of the clarinet section in the orchestra. Ken’s main teacher at this time was Alan Blazer. He also “practiced like crazy.”3 His career in performance started with professional jobs at age 9 in the local polka band that he formed with his brother. This is where he honed his technique and trained his ear. A defining moment in his early musical life was when he bought his first jazz record with money he made playing in the polka band: Stan Getz, More West Coast Jazz (Verve Records, 1956). In 1978, Ken joined the Tommy Dorsey Band led by Buddy Morrow and went to work on the road. Three years later he moved to New York to begin a career of studio dates, concerts, recording sessions, and international touring. Recognition quickly followed.
What sets Ken apart from many other jazz players is his abundance of ideas and an abiding interest in exploring all types of music in performance. Jazz players know that brilliant virtuosity is only part of a rewarding performance, and that collective improvisation is at the heart of jazz music and has been since the earliest years. Ken is a catalyst for much of the dazzling interplay that occurs in his great ensemble jazz. He has a very quick mind and a telepathic rapport with the other musicians on the stand. The result is a rich collaboration that is the hallmark of every performance he gives. In any musical performance, the interaction of the performers is a critical component of a successful musical experience. With a defining emphasis on improvisation, jazz is perhaps explicitly reliant on the spontaneous interaction of the musicians, and, when performed by Ken Peplowski and the musicians in his groups, the results can be transformative. His duo albums with Howard Alden (Concord, CCD-4556, 1993; CCD 4654, 1995 and Pow-Wow on Arbors Records, ARCD 19340, 2007) and Dick Hyman (Live at the Kitano, Victoria Company, 2013) attest to the musical intelligence of two superb musicians playing off each other’s musical ideas.
In his performances, Ken has embraced a huge breadth of styles and periods of jazz. For him the entire century of jazz music has become an endless well of possible tunes to play and record. His albums contain traditional jazz tunes, selections from the Great American Songbook, bebop, big band styles, third-stream and avant-garde jazz and even ethnic folk and dance music. There is always a fresh variety of textures and styles. The quintet and quartet albums often include a few duet pieces and even some tunes performed on clarinet unaccompanied. These require a harmonic structure that can be realized and communicated by a single instrument. Occasionally the decision to record a work for clarinet alone happens in the recording studio. Ken likes the spontaneity of the moment and the challenge of creating something special at the moment the recording is made.
Join us for a special night of jazz with guitarist Tom Guarna and his Quartet!
By The Side Door Jazz Club
The Side Door
85 Lyme St Old Lyme, CT 06371
Tom Guarna – Guitar
Donald Vega – Piano
Danton Boller – Bass
Willie Jones III – Drums
Grammy-nominated guitarist, composer and arranger Tom Guarna began his musical studies at age fifteen, rapidly demonstrating a natural ability to play and compose. After studying classical guitar and composition at the Brooklyn Conservatory of Music in 1986, he played local gigs in New York and fine-tuned his education with John Abercrombie. He earned a Bachelor Degree from The New School for Jazz and Contemporary Music in 2008, and a Master’s Degree at The Juilliard School in 2010.
After working with several jazz bands, he joined Blood Sweat and Tears in 1995 and toured extensively with them for the next three years. Since then, he has forged his own voice as a modern jazz guitarist, performing with a wide range of artists including Wallace Roney, Stanley Clarke, Mark Turner, Branford Marsalis, Randy Brecker, Dr. Lonnie Smith, Mulgrew Miller, Fred Wesley, Mike Clark, Uri Caine, The Allman Brothers, The Yellowjackets, and Gary Bartz.
Guarna has toured five continents with his own quartets and as a top sideman in several exciting groups led by Lenny White, E.J. Strickland, and Les McCann. He was a featured artist on over thirty albums, and composed “If You Dare,” a funk-rock song on Lenny White’s 2010 Anomaly CD. Guarna also toured the United States with pianist Manuel Valera, after playing on the Grammy Award-nominated 2012 album, New Cuban Express.
As composer and leader, Guarna has recorded: Get Together(2005), Out from the Underground (2007), Wingspan (2008), Major Minor (2009), Bittersweet (2011), and the hard-grooving Rush (2014), which garnered wide acclaim. His seventh album, The Wishing Stones (2017), featuring an all-star quartet of drummer Brian Blade, bassist John Patitucci and pianist Jon Cowherd, was lauded a 4-star rating in DownBeat Magazine.
Tom Guarna, a guitarist whom DownBeat magazine has praised for the “emotion, tension, surprise and passion” in his playing on Rush, assembled what he calls “a dream team” for The Wishing Stones. The album, his first for the Destiny Records label, was released in November of 2017. The 11 hook-laced Guarna originals, produced by the guitarist and performed with warmth and élan by his all-star quartet, were masterfully engineered by George Shalda. It was recorded at Sear Sound, the New York site of historic studio sessions for artists such as David Bowie and Wynton Marsalis.
The Wishing Stones was inspired by his accidental discovery of Aruba’s Rock Wish Garden, a peaceful beach featuring stone structures that visitors have built over the years as totems. Guarna explains: “Each of these stacks of stones has a story, representing the desires, aspirations and memories of many people. I’d like my songs – my stacks of stones, as it were – to have a similar resonance with listeners. That’s been a goal as I evolve, to convey life’s emotions in music, whether it’s in my writing or the textures I create on the guitar. I want to get to the heart of the matter.”
Guarna incorporates many styles (jazz, funk, latin, soul, pop, R&B, world music) into his own blend of unique and engaging music, as he forges ahead within his forte: modern jazz with a touch of classical influence.
Join us for a special night of jazz with bassist Steven Bulmer’s group the Hall Monitors!
By The Side Door Jazz Club
The Side Door
85 Lyme St Old Lyme, CT 06371
Steven Bullmer – Bass
Nathan Edwards – Saxes
Matt Parker – Sax/Flute
Jen Allen – Piano
Ben Bilello – Drums
Introducing the Hall Monitors, a group of top-notch New England jazz musicians brought together through the love of playing, composing, arranging, AND teaching.
The members are all honored to be jazz coaches at the prestigious Hall High School in West Hartford, CT, as well as educators at numerous colleges and universities throughout the region. The group performs a variety of jazz styles from bop, hard bop, and contemporary jazz genres. They program inventive originals along with original treatments of not-so-standard jazz classics. The group features a classic piano-bass-drums rhythm section with two innovative and complementary saxophonists.
The group’s genesis happened at a special night for Hall High School Jazz Combos at the legendary Hartford nightspot, Black Eyed Sally’s. The jazz coaches were invited to close the program. Saxophonist Matt Parker penned a particularly potent swinger titled Mr. Hall that brought the house to its feet at the conclusion. In May of 2023, the opportunity to launch the group came from an invitation to perform at the Blue Room in CitySpace, Easthampton, MA, for Carol’s Jazz Night concert. The group presented a 90-minute set of 11 tunes, including 5 originals from 3 different band members.
All that was needed now was a name. After pushing many failed pun-names around, trying to work off of the word “Hall,” The Hall Monitors moniker was adopted.
The Hall Monitors have delighted audiences through engagements for The Side Door, Paul Brown Monday Night Jazz, Black Eyed Sally’s, The Packing House, The Buttonwood Tree, and CitySpace Easthampton, MA. The group is also profiled on CreativeGround.org at CreativeGround – Hall Monitors Jazz Quintet.
at Old Lyme Inn, 85 Lyme Street
Old Lyme, CT 06371
Fri, February 21, 8PM / $25 – $60 | $2.58 – $4.29 Fees Get Tickets
“Pelt is at the peak of his powers with the power and range of Lee Morgan and Freddie Hubbard in their seminal years.”
Jeremy Pelt – Trumpet
Jalen Baker – Vibraphone
Misha Mendelenko – Guitar
Leighton Harrell – Bass
Jared Spears – Drums
Jeremy Pelt is one of the preeminent young trumpeters in jazz. Forging a bond with the Mingus Big Band, Pelt built upon this and other relationships as his career progressed, eventually leading to collaborations with some of jazz’s greatest masters. These projects include performances and recordings with Cliff Barbaro, Keter Betts, Bobby “Blue” Bland, Ravi Coltrane, Frank Foster, Winard Harper, Jimmy Heath, Vincent Herring, John Hicks, Charli Persip, Ralph Peterson, Lonnie Plaxico, Bobby Short, Cedar Walton, Frank Wess, and Nancy Wilson and the Skatalites.
Pelt frequently performs alongside ensembles including the Roy Hargrove Big Band, the Village Vanguard Orchestra, and the Duke Ellington Big Band, and he is a member of the Lewis Nash Septet and the Cannonball Adderley Legacy Band featuring Louis Hayes. As a leader, Pelt has recorded 10 albums and has toured globally with his various ensembles, appearing at many major jazz festivals and concert venues.
Pelt’s recordings and performances have earned critical acclaim, and he has been featured in the Wall Street Journal by jazz writer and producer Nat Hentoff and was voted a rising star on the trumpet five years in a row by Downbeat magazine and the Jazz Journalist Association. Pelt has toured the U.S. and Europe in support of his 2022 release, Soundtrack.
8PM / $25 – $60 | $2.58 – $4.29 Fees
Get Ticketsat Old Lyme Inn, 85 Lyme Street
Old Lyme, CT 06371
Sun, January 19
8PM / $20 – $55 | $2.33 – $4.05 Fees Get Tickets
Bill Charlap – Piano
Peter Washington – Bass
Kenny Washington – Drums
Grammy award winning pianist Bill Charlap has performed with many of the leading artists of our time including Phil Woods, Tony Bennett, Gerry Mulligan, Wynton Marsalis, Freddy Cole and Houston Person. Born in New York City, Charlap began playing the piano at age three. His father was Broadway composer Moose Charlap, whose credits include Peter Pan, and his mother is singer Sandy Stewart, who toured with Benny Goodman, and was a regular on the Perry Como show. She earned a 1963 Grammy nomination for her recording of “My Coloring Book.” In 2005, Charlap and Stewart released the acclaimed CD, Love Is Here To Stay (Blue Note).
In 1997, Charlap formed his trio with bassist Peter Washington and drummer Kenny Washington, now recognized as one of the leading groups in jazz. In 2000, he was signed to Blue Note Records and received two Grammy Award nominations, for Somewhere: The Songs of Leonard Bernstein and The Bill Charlap Trio: Live at the Village Vanguard. He is known for his interpretations of American popular song.. Time magazine wrote, “Bill Charlap approaches a song the way a lover approaches his beloved…no matter how imaginative or surprising his take on a song is, he invariably zeroes in on its essence.” In 2016, Tony Bennett & Bill Charlap: The Silver Lining, The Songs of Jerome Kern, was awarded a Grammy for Best Traditional Pop Album. In April, the Bill Charlap Trio released, Notes from New York, their debut recording for the Impulse label. Alan Morrison’s five-star review in Down Beat stated that the new recording is “a masterclass in class.”
In 2019, Charlap will be celebrating his 15th year as Artistic Director of New York City’s Jazz in July Festival at 92Y. He has produced concerts for Jazz at Lincoln Center, New Jersey Performing Arts Center, Chicago Symphony Center and the Hollywood Bowl. Charlap is married to renowned jazz pianist and composer Renee Rosnes, and the two artists often collaborate in a duo piano setting. In 2010 Charlap and Rosnes released Double Portrait (Blue Note). Bill Charlap is currently the Director of Jazz Studies at William Paterson University in Wayne, New Jersey.
8PM / $20 – $55 | $2.33 – $4.05 Fees
Get TicketsJazz Haven, Inc.
P.O. Box 3011
New Haven, CT 06515
info@jazzhaven.org