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Greater New Haven's Community Resource for Jazz since 1996

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resource for Jazz since 1996!

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Zaccai Curtis Trio Plays The Music of Ralph Peterson

October 11, 2024 By Craig OConnell

Zaccai Curtis Trio Plays The Music of Ralph Peterson

The Side Door Jazz Club

at Old Lyme Inn, 85 Lyme Street
Old Lyme, CT 06371

Fri, October 11, 8:30PM / $20 – $50 | $2.33 – $3.81 Fees      Get Tickets

Zaccai Curtis

Zaccai Curtis – Piano

Luques Curtis – Bass

Jerome Jennings – Drums

Zaccai Curtis moved to New York City in 2005 where he’s connected with and regularly performed with artists such as: Lakecia Benjamin, Christian Scott, Donald Harrison, Cindy Blackman Santana, Eddie Palmieri, Brian Lynch, the Mambo Legends, Abraham Burton, Ralph Peterson, Ray Vega, and Avery Sharpe among others.

Currently Zaccai is a professor of music at the University of Hartford: Jackie McLean Jazz Studies Division and University of Rhode Island. Besides being an educator Zaccai authored two books “Art of the Guajeo” and “Theory of the Common Voicing” which are meant to aid students in their Jazz and Latin Jazz education. Zaccai composes and arranges for his own quartet and trio as well as for artists such as Little Johnny Rivero, Steve Kroon, Sonido Solar and more. In 2003 he was chosen as a winner of the ASCAP Young Jazz Composer’s competition and each year consecutively through 2006. Zaccai and his quartet were selected by the U.S. State Department to be in the American Music Abroad (Jazz Ambassadors) program two times in 2006. They performed in Bangladesh, Calcutta, Bangalore, Mumbai, Sri Lanka and Maldives. In 2007 Zaccai Curtis was awarded the ‘Connecticut Commission on Culture and Tourism’s Artist Fellowship’ for ‘original composition.’ In 2017 Curtis became a Chamber Music America: “New Jazz Works” grant recipient. In 2020 Zaccai was voted as the Rising Star in the Critics Poll for Downbeat Magazine. Most recently, Curtis has been invited to be the special guest director for 2023 CMEA Southern Regional High School Jazz Band.

When Zaccai is not busy being a sideman, he performs his own music with his group ‘Zaccai Curtis Quartet’ and ‘Sonido Solar’ and after five successful releases; He plans on releasing his next recording “Cubop Lives” in 2023.

Zaccai, along with his brother Luques, has developed the record label TRRcollective which is a collective of musicians that produce their own music and release it together. He is also proud to have produced and released the GRAMMY nominated album, ‘Entre Colegas’ by Andy González (2016). Zaccai has created the first ever music news app developed for record labels, artists and venues. ‘The Riff: Music News‘ available for free on iTunes and android.

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Watch Video

Fri, October 11

8:30PM / $20 – $50 | $2.33 – $3.81 Fees Get Tickets

Tagged With: "Side Door Jazz Club", Zaccai Curtis

Harold López-Nussa Timba a la Americana

September 21, 2024 By Craig OConnell

Harold López-Nussa Timba a la Americana

The Side Door Jazz Club

at Old Lyme Inn, 85 Lyme Street
Old Lyme, CT 06371

Sat, September 21. 8:30PM / $20 – $50 | $2.33 – $3.81 Fees Get Tickets

Harold López-Nussa

Harold López-Nussa – Piano

Grégoire Maret – Harmonica

Luques Curtis – Bass

Ruy Adrián López-Nussa – Drums

Cuban-born pianist and composer Harold López-Nussa begins an exciting new chapter of his fascinating career with his Blue Note debut Timba a la Americana, a vibrant album teeming with joy and pathos that was inspired by the pianist’s recent decision to leave his Cuban homeland and begin a new life in France. Produced by Snarky Puppy bandleader Michael League, Timba a la Americana unveils a brand- new sound across 10 dynamic original compositions performed by a tight-knit band featuring harmonica virtuoso Grégoire Maret, Luques Curtis on bass, Bárbaro “Machito” Crespo on congas, and Harold’s brother Ruy Adrián López-Nussa on drums. Harold traces the origins of Timba a la Americana to a day during his family’s first winter after leaving Cuba to live in Toulouse, France. It was cold. He was homesick. Harold found himself flipping through
voice memos on his phone, listening to jams and fragments of song ideas he’d documented years before. These happened on gigs, or in the music space of his home, or on the street when he was seized with an idea. The little seedlings of songs ported him back to the rhythmic communication that was part of his everyday life in Cuba. “It was emotional for me to be in France and listen back to these ideas from the past because the transition for me was not easy,” Harold recalls. “In Cuba, musicians would come to my house several times a week, to play, to party. My daughters grew up going to concerts every week. We were very active with music.”
Those recorded inspirations did more than simply sharpen Harold’s longing for his previous life halfway around the world. They confirmed what he already knew: His next creative moves were going to be different. Very different. The pianist had released a string of acclaimed Latin jazz projects under his own name and participated in collaborative all-star assemblages like Ninety Miles with Stefon Harris, David Sanchez, and Christian Scott. Still, he felt a strong urge to escape the conventional thinking about song form and structure that’s defined Latin jazz since the 1950s. The ideas on his phone – lyrical melodies, intricate odd-meter vamps – suggested new freedoms, unconventional forms. He wrestled with the challenging shapes of the
fragments until they became songs. “It’s almost like I needed to think about Cuba from far away,” Harold says. “I was having all these feelings of challenge, new life, new things going on for us. It was a lot of new, and of course that would be reflected in the music, but I was still feeling this conflict: I want this music to sound like Cuba, but how can it if I’m not there?” Those questions, meditations really, on distance and dislocation led Harold to create in ways he hadn’t before. In collaboration with League—a friend of many years who had first heard Harold on a trip to Cuba and later invited the pianist to perform at Snarky Puppy’s GroundUp Music Festival in Miami—the two sought new settings for the clave patterns that are the heartbeat of Cuban music. They grabbed elements of danzon, the foundational dance that began in Matanzas in the late 1800s, and the stately son tumbao riffs that frame the songs of Benny Moré and so many others. They worked with ancient bata drum rhythms used to summon the deities, then incorporated them into the choppy polyrhythmic agitations of modern improvising collectives. They linked the catcalling mambos of Dizzy Gillespie and Machito to modern ideas about song structure.

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Sat, September 21

8:30PM / $20 – $50 | $2.33 – $3.81 Fees Get Tickets

Tagged With: "Side Door Jazz Club", Harold López-Nussa

Ben Wolfe Quartet

July 26, 2024 By Craig OConnell

Ben Wolfe Quartet

The Side Door Jazz Club

at Old Lyme Inn, 85 Lyme Street, Old Lyme, CT 06371

Fri, July 26,  8:30PM / $25 – $45 | $2.58 – $3.56 Fees     Get Tickets

Ben Wolfe

“Mingus and Miles Davis meet Bartok and Bernard Herrmann”

-Ben Ratliff – The New York Times

Chris Lewis – Saxophone

Addison Frei – Piano

Ben Wolfe – Bass

Aaron Kimmel – Drums

New York bassist/composer and bandleader Ben Wolfe’s music has been described as “Mingus and Miles Davis meet Bartok and Bernard Herrmann” (Ben Ratliff – The New York Times).  Acclaimed by some of the jazz world’s most respected critics for his “wit and cool intelligence” and signature “innovative, melding of hard-swinging jazz quartet, outstanding guest soloists and classical string quartet.”, Wolfe continues to produce works that draw top-flight reviews from fans and jazz journalists alike.

Ben’s 2023 release Unjust, is his tenth as a leader and features all original compositions. As stated in the liner notes “This project was a gathering of musicians I believed would find common ground with each other and would also find some magic within the ensemble. I very much enjoyed the process and I’m extremely proud to present Unjust.”

Ben’s previous release Fatherhood, touted by New York City Jazz Record’s Elliott Simon as a “career defining work… creative meshing of distinctive forms and genres, mature alteration of previously released material, elegant arrangements of difficult material and strong leadership”, adds to his extensive collection of original albums, and ties together a career of musical prestige.

There is no doubt that after decades as one of the most sought-after bassists in jazz, performing with top names such as Wynton Marsalis, Harry Connick Jr., Diana Krall and many others, award-winning composer and bandleader Ben Wolfe is clear about his creative direction… “Much of the music I’ve composed; particularly the music that includes strings, I think of as chamber music within a jazz context.” 

Ben leads several distinctive ensembles, featuring top jazz veterans, and upcoming young talents, presented in a range of formats, from Quartet to Sextet, featuring trumpet, saxophone, and vibraphone.  His extended works for Octet, comprised of jazz quartet plus string quartet have been described as “ground-breaking”.  He also performs with his trio sometimes featuring piano and other times piano-less, with vibraphone or saxophone.  Ben Wolfe also continues to be a mainstay at Dizzy’s Club in NYC, performing an annual four-night run in the late summer, each year.

An award-winning composer, Ben is a two-time recipient of Chamber Music America’s New Works: Creation and Presentation Program Grant through the Doris Duke Foundation. First received in 2004, Ben was able to use this funding to compose his extended work Contradiction: Music for Sextet.  He received the grant in 2020 and composed Nonet. Both of these extended works have been recorded for future release.

Wolfe has distinguished himself through a significant catalogue of original music, including well over one hundred songs across ten albums, several extended works, and the film score for Matthew Modine’s 2008 short I Think I Thought.  The New York Sun hailed his work on this film as, “a standout music score.”

 

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Fri, July 26

8:30PM / $25 – $45 | $2.58 – $3.56 Fees Get Tickets

Tagged With: "Side Door Jazz Club", Ben Wolfe Quartet

Caelan Cardello Trio

July 12, 2024 By Craig OConnell

Caelan Cardello Trio

The Side Door Jazz Club

at Old Lyme Inn, 85 Lyme Street, Old Lyme, CT 06371

Fri, July 12, 8:30PM / $25 – $45 | $2.58 – $3.56 Fees Get Tickets  

Caelan Cardello

BORN INTO A MUSICAL HOUSEHOLD IN TEANECK, NJ, CAELAN CARDELLO PRACTICALLY HAD MUSIC INFUSED IN HIS DNA FROM THE START.

He started playing piano at the age of 5 and within two years had begun parallel arcs of formal training in both classical and jazz piano, starting with jazz pianist/arranger allen farnham and juilliard classical alum steve masi. caelan’s consistent musical growth enabled him to secure mentorships with some of the most sought after luminaries in the jazz piano pantheon, most notably fred hersch, frank kimbrough and dave kikoski

caelan’s early involvement with several distinguished arts programs figure prominently in his musical development. first and foremost was the renowned jazz house kids in montclair, nj – a comprehensive and immersive community jazz arts program developed and run by jazz vocalist melissa walker and husband, bass icon christian mcbride. caelan often held “featured artist” status when playing with the jhk ensembles and his 7 years with the program afforded him invaluable opportunities to play and study with some of the most prominent figures in jazz today including jimmy cobb, dee dee bridgewater, jack dejohnette, wallace roney, ravi coltrane, paquito d’rivera, pop songsmith bruce hornsby and of course christian mcbride to name but a few. as an alumnist of the program, caelan’s affiliation has continually opened doors for him to perform with many other celebrated jazz greats in nyc’s legendary jazz haunts like dizzy’s club, minton’s playhouse, smalls jazz club and the jazz standard.

caelan cites two additional program experiences as being particularly impactful; they are his performances with the new jersey all state orchestra (2016, 2017) and the prestigious national young arts nyc program (2018) for which he was selected from a substantial and very competitive pool of talented young musicians.

over time, caelan’s musical accomplishments and live performances have garnered him several prestigious awards including the new jersey governor’s award, the james moody college scholarship award for “outstanding musicianship,” the 2021 bmi foundation’s future jazz master award, and the prestigious herbie hancock international piano competition. one honor of particular mention is the “outstanding soloist” award he received at the charles mingus hs competition & festival which resulted in caelan being “tapped” for a “sub” slot with the mingus big band at the jazz standard in nyc. most recently, caelan was selected as one of the five finalists for the very prestigious american pianists awards. the competition prize includes career assistance and touring, with a value of over $200,000.

caelan graduated from william paterson university with a bachelors degree in jazz piano performance. during his time there he found himself again under the tutelage of many venerable jazz masters including bill charlap and the late great harold mabern. he regularly performed with william paterson jazz ensembles, being featured at wbgo and playing shows at dizzys club in nyc. when not performing, caelan devotes his attention to furthering his musical studies in performance, composition, arrangement and digital music technology.

currently, caelan plays both solo and with his trio in nyc, around the tri-state area and tours throughout the us. he will begin his master’s program in jazz performance at the juilliard school this fall ’23.

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Fri, July 12

8:30PM / $25 – $45 | $2.58 – $3.56 Fees Get Tickets

Tagged With: "Side Door Jazz Club", Caelan Cardello Trio

Yoko Miwa Trio

July 6, 2024 By Craig OConnell

Yoko Miwa Trio

The Side Door Jazz Club

at Old Lyme Inn, 85 Lyme Street. Old Lyme, CT 06371

Sat, July 6. 8:30PM / $25 – $45 | $2.58 – $3.56 Fees    Get Tickets

Yoko Miwa

Yoko Miwa – Piano
Will Slater – Bass
Scott Goulding – Drums

Internationally acclaimed pianist/composer Yoko Miwa is one of the most powerful and compelling performers on the scene today. Her trio, with its remarkable telepathy and infectious energy, has brought audiences to their feet worldwide. Yoko was named a Rising Star Pianist in the 2022 DownBeat Critics Poll. The Yoko Miwa Trio’s 2021 release Songs of Joy received wide acclaim and reached #1 on national jazz radio charts and was voted a best jazz album of 2021 in the DownBeat 86th Annual Readers Poll. Jazziz called it “a radiant new collection.” CD Hotlist said “…yet another triumph from one of America’s finest jazz pianists, composers, and bandleaders.” Their 2019 CD, Keep Talkin’, showcases Miwa’s fine playing and artful compositions and the trio’s uncanny musical camaraderie. DownBeat gave the recording four stars, calling it “a beautifully constructed album” and noting “the drive and lyricism of a pianist and composer at home in bebop, gospel, pop, and
classical.” JazzTimes also reviewed the album favorably, praising Miwa’s “jaw- dropping degree of technique.”  The album enjoyed seven weeks in the top 10 on Jazz Week’s charts, much like its predecessor, Miwa’s 2017 release Pathways, which
also made Jazz Week’s top 10 for several weeks. In a 2017 feature article on Miwa, DownBeat noted her “impressive technique and a tuneful lyricism that combines an Oscar Peterson-ish hard swing with Bill Evans-like introspection.”

 

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Sat, July 6

8:30PM / $25 – $45 | $2.58 – $3.56 Fees Get Tickets

Tagged With: "Side Door Jazz Club", Yoko Miwa Trio

Jason Marsalis Vibes Quartet

June 29, 2024 By Craig OConnell

Jason Marsalis Vibes Quartet

The Side Door Jazz Club

at Old Lyme Inn, 85 Lyme Street, Old Lyme, CT 06371

Sat, June 29, 8:30PM / $30 – $50 | $2.82 – $3.81 Fees    Get Tickets

Jason Marsalis

Jason Marsalis – Vibes

Adam Shulman – Piano

David Ewell – Bass

Jaz Sawyer – Drums

From a tender young age it was clear that Jason Marsalis had what it took to be great. Jason is the son of pianist and music educator Ellis Marsalis and his wife Dolores, and the youngest sibling of Wynton, Branford and Delfeayo. Together, the four brothers and their patriarch Ellis, comprise New Orleans venerable first family of jazz.

Ellis and Dolores began to cultivate Jason’s interest in music at age three, with the purchase of a toy set of drums. Jason is fond of telling the story of a game he and his parents would play with the drums. “When I was three, my parents bought me a toy drum set and the used to introduce me to an
imaginary audience. They would say, ‘Ladies and gentleman introducing the fabulous Jason!’ and I would come out and start banging away much to my parents delight. I too enjoyed it to the point that I started to go up to my parents unsolicited and say, ‘Dad, introduce me again!’”

By age six, not only had Jason gotten his first real drum set, but he was also taking lessons from the legendary New Orleans drummer James Black. At age seven he was sitting in with his father’s jazz group, as well as playingwith his trombonist brother Delfeayo. Jason was progressing so rapidly as a drummer that in 1984 his father started using him consistently on engagements. Jason was starting to become a seasoned road veteran before the age of nine, even traveling to the prestigious Berklee School of Music in Boston for older brother Delfeayo’s recital.

Though Jason had also taken up violin at age five, drums remained his primary focus throughout his grade school years. However, in his last year living in Richmond, VA,it was as a member of a junior youth orchestra that he first discovered the percussion section. The following year, Jason gave up the violin and focused exclusively on percussion. In 1991, he auditioned and was accepted to the acclaimed New Orleans Center for the Creative Arts High School (NOCCA). Throughout his high school years he continued to hone his skills by playing gigs with his father and brothers, as well as studying orchestral percussion techniques at the venerable Eastern Music Festival. Shortly after graduation from NOCCA in 1995, Marsalis ascended to the drum throne of a new group lead by virtuoso pianist and former sideman for Wynton Marsalis, Marcus Roberts. Despite a demanding touring schedule with Roberts, Marsalis furthered his educational goals by attending Loyola University in New Orleans, as well as studying composition with notable classical composer, Roger Dickerson. While Marsalis made appearances with such international jazz luminaries as Joe Henderson and Lionel Hampton, he was visible on the New Orleans scene working with a diverse cross section of bands from Casa Samba (Brazilian), Neslort (jazz fusion) Summer Stages (children’s theater), Dr. Michael White (traditional jazz) and many others. It was in 1998 that he co-founded the Latin-jazz group Los Hombres Calientes. While recording two albums with the group, Marsalis also produced two albums under his own name, Year of the Drummer (1998) and Music in Motion (2000), as well as producing reissues and current recordings of his father on their self-owned label, ELM Records.

 

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Watch Video

Sat, June 29

8:30PM / $30 – $50 | $2.82 – $3.81 Fees Get Tickets

Tagged With: "Side Door Jazz Club", Jason Marsalis Vibes Quartet

Jason Marsalis Vibes Quartet

June 28, 2024 By Craig OConnell

Jason Marsalis Vibes Quartet

The Side Door Jazz Club

at Old Lyme Inn, 85 Lyme Street, Old Lyme, CT 06371

Fri, June 28, 8:30PM / $30 – $50 | $2.82 – $3.81 Fees    Get Tickets

Jason Marsalis

Jason Marsalis – Vibes

Adam Shulman – Piano

David Ewell – Bass

Jaz Sawyer – Drums

From a tender young age it was clear that Jason Marsalis had what it took to be great. Jason is the son of pianist and music educator Ellis Marsalis and his wife Dolores, and the youngest sibling of Wynton, Branford and Delfeayo. Together, the four brothers and their patriarch Ellis, comprise New Orleans venerable first family of jazz.

Ellis and Dolores began to cultivate Jason’s interest in music at age three, with the purchase of a toy set of drums. Jason is fond of telling the story of a game he and his parents would play with the drums. “When I was three, my parents bought me a toy drum set and the used to introduce me to an
imaginary audience. They would say, ‘Ladies and gentleman introducing the fabulous Jason!’ and I would come out and start banging away much to my parents delight. I too enjoyed it to the point that I started to go up to my parents unsolicited and say, ‘Dad, introduce me again!’”

By age six, not only had Jason gotten his first real drum set, but he was also taking lessons from the legendary New Orleans drummer James Black. At age seven he was sitting in with his father’s jazz group, as well as playingwith his trombonist brother Delfeayo. Jason was progressing so rapidly as a drummer that in 1984 his father started using him consistently on engagements. Jason was starting to become a seasoned road veteran before the age of nine, even traveling to the prestigious Berklee School of Music in Boston for older brother Delfeayo’s recital.

Though Jason had also taken up violin at age five, drums remained his primary focus throughout his grade school years. However, in his last year living in Richmond, VA,it was as a member of a junior youth orchestra that he first discovered the percussion section. The following year, Jason gave up the violin and focused exclusively on percussion. In 1991, he auditioned and was accepted to the acclaimed New Orleans Center for the Creative Arts High School (NOCCA). Throughout his high school years he continued to hone his skills by playing gigs with his father and brothers, as well as studying orchestral percussion techniques at the venerable Eastern Music Festival. Shortly after graduation from NOCCA in 1995, Marsalis ascended to the drum throne of a new group lead by virtuoso pianist and former sideman for Wynton Marsalis, Marcus Roberts. Despite a demanding touring schedule with Roberts, Marsalis furthered his educational goals by attending Loyola University in New Orleans, as well as studying composition with notable classical composer, Roger Dickerson. While Marsalis made appearances with such international jazz luminaries as Joe Henderson and Lionel Hampton, he was visible on the New Orleans scene working with a diverse cross section of bands from Casa Samba (Brazilian), Neslort (jazz fusion) Summer Stages (children’s theater), Dr. Michael White (traditional jazz) and many others. It was in 1998 that he co-founded the Latin-jazz group Los Hombres Calientes. While recording two albums with the group, Marsalis also produced two albums under his own name, Year of the Drummer (1998) and Music in Motion (2000), as well as producing reissues and current recordings of his father on their self-owned label, ELM Records.

 

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Watch Video

Fri, June 28

8:30PM / $30 – $50 | $2.82 – $3.81 Fees Get Tickets

Tagged With: "Side Door Jazz Club", Jason Marsalis Vibes Quartet

Jerry Bergonzi Quintet

June 22, 2024 By Craig OConnell

Jerry Bergonzi Quintet

The Side Door Jazz Club

at Old Lyme Inn, 85 Lyme Street, Old Lyme, CT 06371

Sat, June 22, 8:30PM / $25 – $45 | $2.58 – $3.56 Fees    Get Tickets

Jerry Bergonzi

Jerry Bergonzi – Saxophone

Phil Grenadier – Trumpet

Sheryl Bailey – Guitar

Harvie S – Bass

Luther Gray – Drums

Tenor saxophonist, Jerry Bergonzi, is an internationally recognized jazz performer, composer, author and educator. His music is renowned for its innovation, mastery, and integrity. Relentless drive, inner fire, total command, awesome technique, elastic lyricism, rich resonance, world-class, a musical visionary, are among the rave reviews credited to his sound. Bergonzi’s music has been applauded throughout the world at festivals, concert halls, and jazz venues and his dedication to jazz music has been well documented by an extensive discography.

Born in Boston, Massachusetts, Bergonzi became interested in music early on. He started playing clarinet when he was eight years old listening to Duke Ellington, Count Basie, and Lester Young. His uncle, who was a jazz musician and lived upstairs, used to write out solos for him to play. At twelve years old he got his first saxophone, an old Conn alto, and a year later when a friend introduced him to Miles, Coltrane, and Sonny Rollins, there was no turning back! At thirteen, Jerry was already playing gigs with a band called The Stardusters. During his high school years he switched to tenor, and in addition to weekly sessions with Berklee College students, Jerry also played in John LaPorta’s youth band. He recalls, “It was a great experience, I learned so much, John would tell you like it was. He’d let you know what your shortcomings were, he would stop the band to tell you! “Bergonzi attended Lowell University but left after one year because he was continually being thrown out of the practice rooms for playing jazz. “If I had heard me practicing in one of those cubicles I might have thrown myself out!” he adds. He and fellow student, Charlie Banacos, used to begin their day in the practice rooms at 6:00 am. After a year at Berklee College, he returned to Lowell for financial reasons and graduated in 1971. He then played bass in local bands behind singers, strippers, and comedians, saving up enough money to move to New York City in 1972.

During 1972 and 1978 Bergonzi lived in New York City and experienced what he considers his real college education. There, where he had a third floor loft and friend and bass player, Rick Kilburn, lived on the first floor, was the scene of many sessions. “Often, there was one drummer, one bass player, and five saxophone players!” Bergonzi remembers. “Sometimes I was the drummer, each guy would tell a friend, everyone was hungry to play and it was great experience.” Joe Lovano, Steve Slagle, Billy Drewes, Paul Moen, Pat LaBarbera, Dave Liebman, John Scofield. Mike Brecker, Bob Berg, Tom Harrell, Steve Grossman, and Victor Lewis were a few of the many players who came to play.

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Sat, June 22

8:30PM / $25 – $45 | $2.58 – $3.56 Fees Get Tickets

Tagged With: "Side Door Jazz Club"

Benito Gonzalez Trio with Buster Williams and Lenny White

June 21, 2024 By Craig OConnell

Benito Gonzalez Trio with Buster Williams and Lenny White

The Side Door Jazz Club

at Old Lyme Inn, 85 Lyme Street, Old Lyme, CT 06371

Fri, June 21, 8:30PM / $35 – $55 | $3.07 – $4.05 Fees    Get Tickets

Benito Gonzalez

Benito Gonzalez – Piano

Buster Williams – Bass

Lenny White – Drums

Pianist Benito Gonzalez “Two times Grammy nominee”is an internationally beloved artist who combines a long lineage of American jazz traditions with rhythms from around the world. He’s worked with dozens of the greats, and he always brings some of the best rhythm section players in the world.

Today a rising tide of young jazz pianists are attempting to find their distinct voices by taking cues from their elders. But only a few take their artistry beyond their predecessors to make bold 88-key statements on their journeys to new vistas, fresh sounds, inspired expressions. That personal-touch devotion to the wonders of the instrument brings with it a certitude of intuitive creativity.

That fortitude fuels Benito Gonzalez, an exhilarating pianist who won the 2005 Great America Jazz Piano Competition and was honored in 2020 to be a Steinway & Sons artist for “his sound [that] is recognizable for the powerful rhythm section and Afro-Latin patterns he prioritizes across his projects.” The Venezuela-born, New York-based artist grew up playing traditional Venezuelan folk music with his family before absorbing the inventiveness of such pianists as Herbie Hancock, McCoy Tyner,Chick Corea and Keith Jarrett who inspired him to join in the explorations on the instrument.

Gonzalez made his way to U.S. by a serendipitous route when an American cultural ambassador caught one of his trio gigs and later invited him to come to Washington, D.C. He was enlisted to play shows with Ghanaian master drummer Okyerema Asante that led to a recording. “After my first six months here, I decided to stay in this country to learn the music right,” Gonzalez said.

Gonzalez went on to play with Jackie McLean in 2003, then joined Kenny Garrett’s quartet for seven years until 2013—during which time he garnered two Grammy band nominations. After his stint with Garrett, he played with saxophonist Azar Lawrence’s band and then in 2019 joined saxophone legend Pharoah Sanders as his pianist/musical director.

Through the course of his career, Gonzalez has been instrumental as a sideman in performing and recording with such jazz greats as Bobby Hutcherson, Dave Liebman, Gary Bartz, Curtis Fuller, Al Foster, Lenny White, Billy Hart, Ignacio Berroa, Jeff”Tain”Watts, Buster Williams, Rene McLean, Steve Turre, Delfeayo Marsalis, Hamiet Bluiett, Ron Blake, Antonio Sanchez, Mark Gross, and Azar Lawrence.

Gonzalez also recorded his own albums, including Starting Point (2004) and Circles (2010), then continued his solo career with Dream Rhapsody (2015) with Slavic flutist/vocalist Sisa Michalidesová, and a loving tribute to McCoy Tyner Passion Reverence Transcendence (2018).

With propulsive pulse and Afro-Latin percussive drive, Gonzalez placed rhythm at the core of 2021’s Sing to the World, his fifth album and first released on the St. Petersburg, Russia label Rainy Days Records. He assembled an impressive team of collaborators, including Christian McBride, Essiet Okon Essiet, Jeff “Tain” Watts, and Nicholas Payton as well as rising stars Russian drummer Sasha Mashin, trumpeter Josh Evans.

In addition to his slow-to-upbeat originals, Gonzalez added to the set list two compositions that had never been recorded by their composers: Roy Hargrove’s soulful “Father” and the “Tain” beauty “416.” After almost seven years of touring with Kenny Garrett, Benito has added numerous festivals and international jazz club dates to his credit. In 2019 he joined legendary saxophonist Pharoah Sanders as pianist and musical director.

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Fri, June 21

8:30PM / $35 – $55 | $3.07 – $4.05 Fees Get Tickets

Tagged With: "Side Door Jazz Club"

Greg Skaff Trio

June 15, 2024 By Craig OConnell

Greg Skaff Trio

The Side Door Jazz Club

at Old Lyme Inn, 85 Lyme Street, Old Lyme, CT 06371

Sat, June 15, 8:30PM / $25 – $45 | $2.58 – $3.56 Fees    Get Tickets

Greg Skaff

Greg Skaff – Guitar

Ugonna Okegwo – Bass

Jonathan Barber – Drums

From the soulful to the swinging, Greg Skaff has earned a reputation as one of the premiere guitarists in modern jazz. A native of Kansas, the New York-based Skaff got his start with a five-year tenure in sax titan Stanley Turrentine’s band and has gone on to work with many of the music’s most legendary names. His diverse resumé ranges from such past masters as Ruth Brown, Freddie Hubbard, David “Fathead” Newman and Gloria Lynne to current notables including Bobby Watson, Ben Allison, Bruce Barth, Pat Bianchi, Orrin Evans, Joe Farnsworth, David Hazeltine, Mike LeDonne, Victor Lewis, Ralph Peterson Jr., Jim Rotondi, and E. J. Strickland.

On his latest album, Polaris (SMK Jazz), Skaff can be found fronting a trio comprising a pair of jazz icons: bassist Ron Carter and drummer Albert “Tootie” Heath. Significant as the first album in his career with a standard guitar, bass and drums line-up, Polaris quickly establishes itself as an exemplar of the form, featuring three jazz masters delighting in each other’s creativity and ebullient sense of swing. C. Andrew Hovan at All About Jazz called the album “genuinely sublime music that is sure to be remembered as one of 2021’s most memorable releases.”

Skaff’s dive into the deep end of straight-ahead jazz, in tandem with two of the greatest ever to play the music, is reflective not only of his skill and confidence but of the wide-ranging eclecticism of his musical imagination. It was the unexpected follow-up to Soulmation (Zoho), a rock-fueled acceleration of the groovecentric sound he’d long established through his extensive stints in the organ jazz realm, including his own trios with hard-grooving greats like Mike LeDonne and Pat Bianchi.

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Tagged With: "Side Door Jazz Club"

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