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Greater New Haven's Community Resource for Jazz since 1996

Greater New Haven's community
resource for Jazz since 1996!

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Donald Vega Sextet

November 23, 2025 By Craig OConnell

Donald Vega Sextet

By The Side Door Jazz Club
Nov 23 from 8pm to 10:30pm EST
Join us for a special night of jazz with Pianist Donald Vega and his Sextet!

Donald Vega – Piano

David DeJesus – Alto Saxophone

Brandon Lee – Trumpet

Raul Reyes – Bass

Carlos “Carly” Maldonado – Percussion

Jerome Jennings – Drums

Grammy®-nominated pianist and composer Donald Vega brings his new project, Legacy, to the stage — celebrating the power of mentorship and the timeless ways communities pass stories and traditions from one generation to the next. Funded in part by Chamber Music America’s New Jazz Works grant, Legacy is music in conversation with time itself: swinging tunes, Latin grooves, and unforgettable melodies that honor jazz’s living tradition while reaching for the future. Experience an evening of storytelling through sound with one of today’s most compelling jazz voices.

Bio:

Grammy® nominated artist Donald Vega is a luminary on the piano and unites audiences around the world through his melodic storytelling and the transformative power of music. Vega was named a Guggenheim Fellow in 2023 for composition, and through the generous support of the Guggenheim Memorial Foundation completed and released his album As I Travel, which earned a Grammy® nomination for Best Latin Jazz Album.

Donald Vega was trained classically in piano in his native Nicaragua. He emigrated to the United States at age 14 and found a musical home with the Colburn School of Performing Arts (CSPA). He began his studies there in classical piano with Teresa de Jong Pombo and Dr. Louise Lepley. Vega began learning the language of jazz from mentor Billy Higgins at The World Stage and continued at CSPA with Jeffrey Lavner, then later with bassist John Clayton at the University of Southern California. During his time in Los Angeles Donald was mentored by and performed with the celebrated conguero Francisco Aguabella as well as notable bassist Al McKibbon. He went on to graduate from Manhattan School of Music and The Juilliard School where he studied with piano great Kenny Barron, Phil Markowitz and Gary Dial.

Vega currently performs internationally as the pianist for world renowned bassist Ron Carter with whom he has recorded several albums. Mr. Vega is also a professor at The Juilliard School and Hofstra University and sits on the board of BackCountry Jazz, a non-profit organization which provides music education programs and performances to underprivileged youth.

Vega’s debut album, Tomorrows, was released in 2008 to rave reviews. In his sophomore album, Spiritual Nature (Resonance Records, 2012), he was joined by the regal rhythm tandem of bassist Christian McBride and drummer Lewis Nash. Vega teamed up again with Lewis Nash on his third album, With Respect to Monty, (Resonance Records, 2015) along with Hassan Shakur, the great bassist and former Monty Alexander band member, and long-time friend and grammy nominated artist, Anthony Wilson on guitar. Donald recently released his latest album, As I Travel, with Lewis Nash on drums and John Patitucci on bass and featuring Luisito Quintero on percussion. Downbeat called it a “recording with high-caliber vision and carefully crafted compositions…” and All About Jazz called it a “captivating musical memoir”.

 

  • Doors at 7:15 PM

The Side Door

85 Lyme St

Old Lyme, CT 06371

How do you want to get there?

Tagged With: Donald Vega Sextet, The Side Door Jazz Club

Sean Nelson Jazz Orchestra: Harry James Tribute Featuring Joshua Kauffman

November 19, 2025 By Craig OConnell

Sean Nelson Jazz Orchestra: Harry James Tribute Featuring Joshua Kauffman

By The Side Door Jazz Club
Nov 19 from 7:30pm to 10pm EST
The Sean Nelson Jazz Orchestra returns to the Side Door as part of their monthly residency with guest trumpeter: Joshua Kauffman

Special Guest:

James Kauffman – Trumpet

Saxes

Erik Elligers
Tyler Wilkins
Matt Parker
Josh Thomas
Matt Schmidt

Trombones
Sean Nelson
Leroy Loomer
Vince Yanovitch
Wes Mayhew

Trumpets
Don Clough
Renee McGee
Luke Wingfield
Haneef Nelson

Rhythm
Jen Allen – piano
Gianni Gardner – guitar
Lou Bocciarelli – bass
Nathan Lassell – drums

Joshua Kauffman has deep ties to the music of Harry James. After befriending and playing trumpet for Harry James, Jr, at his home in Texas, he was gifted many items from the estate, including several of Harry’s trumpets and music manuscripts. Joshua has a deep love and reverence for the music of Harry James, and this is evident in his expert performance of this historically important music.Joshua Kauffman, an in-demand performer and educator in the Washington Metropolitan area, can be seen and heard at major venues like The John F. Kennedy Center for the Performing Arts, Capitol One Arena and Blues Alley. He teaches regularly at The National Jazz Workshop and is frequently seen as a guest artist and clinician with colleges and schools throughout the US.

Equally at home in the jazz and classical idioms, Joshua has had the opportunity to share the stage with Doc Severinsen, Hugh Jackman, Randy Brecker, Bobby McFerrin, Arturo Sandoval, Franki Valli and the Four Seasons, Sean Jones, Stefon Harris, Luis Enrique, The Big Apple Circus, Eddie Daniels, Wycliffe Gordon, Alan Baylock, Dennis Mackrel and many others.

He also travels around the United States to perform swing music for national and international events, like The International Lindy Hop Championships, DC Lindy Exchange, Beantown Camp as well as other swing music and dancing events and competitions.

Originally from New Castle, PA, Joshua attended the University of North Texas where he played in the Grammy-nominated One O’Clock Lab Band from 2014-2017, where he held both the solo and lead trumpet chairs. While in the One O’Clock Lab Band, he performed at the inaugural concert of Cancer Blows, Monterey Jazz Festival and traveled to Australia to perform at the Generations in Jazz Festival with famed multi-instrumentalist, James Morrison. He graduated in 2017 magna cum laude with a Bachelor of Music in jazz studies.

Days before graduation, Joshua auditioned and won a position with The United States Army Band “Pershing’s Own”, where he holds the first trumpet chair of The U.S. Army Blues, the premiere jazz ensemble of The United States Army.

Joshua has had many great teachers and mentors in his life including Allen Vizzutti, Jay Saunders, Paul Stephens, John Holt, Rodney Booth, Mike Steinel, Dr. Stephen Hawk and others.

Joshua is a Yamaha Performing Artist and exclusively plays GR Mouthpieces.The Sean Nelson Jazz Orchestra is a “full bodied and polished brassy big band” (Jazz Weekly) made up of 17 of the finest musicians in New England. Formed in 2016 as the New London Big Band, for the past nine years they have played monthly for sold out crowds at the Social Bar + Kitchen in New London CT. The band has performed all over the country, including the Kennedy Center (Washington DC), the Birdland Jazz Club (NYC), Monks Jazz Club (Austin TX), and Hallowed Halls (Portland OR). The band has released three albums, the most recent of which, “Don’t Stop Now: the lost music of Thad Jones for Harry James,” reached #29 on the jazz radio charts.

The band’s sound is rooted in the Kansas City swing of Count Basie, “swinging high, hard, and hot” (All About Jazz.) “Nelson…has assembled a youthful, sharp, hip 17-piece ensemble as dedicated as he is to the belief that big band sounds can provide a fine musical experience — one best served up live, where the groove and excitement of the arrangements and instrumental interplay can energize and pack a dance floor across generations.” (The Day of New London)

Sean Nelson is the leader and founder of the band. By day, he is enlisted in the U.S. Coast Guard, where he plays trombone with the Coast Guard Band’s concert band and jazz ensembles, serves as staff arranger, and is music director for the Guardians Big Band.

Nelson was music director and arranger for the 2024 National Christmas Tree Lighting with the Coast Guard’s Guardians Big Band, creating over 500 pages of arrangements. This was performed in front of the White House and seen nationally on CBS. Sean was one of two composers that co-created the official song of the Space Force, Semper Supra, which is now part of every Armed Forces Medley. He also composed the official song for the National Oceanic and Atmospheric Administration officer corps (one of the eight federal uniformed services). He has won the National Band Association Young Composers Jazz Composition Contest and is a two­ time winner of Downbeat Magazine’s jazz arranging award. He currently works as the arranger for Sam Houston State University Bearkat Marching Band. Sean’s big band arrangements are published at iJazzmusic.com.

A native of Dallas, Texas, Sean received a Bachelor of Music degree from Sam Houston State University and a Master of Music degree from the University of North Texas. While at North Texas, he was trombonist and composer for the One O’Clock Lab Band and sang with the Jazz Singers I. Sean’s trombone quartet won the International Trombone Association Quartet Contest. He spent his summers and winter breaks playing in house bands on cruise ships for Princess Cruises and Cunard Cruises.

Sean lives in Quaker Hill, Connecticut, with his wife Megan and children Lucinda, Giles, McCoy, and Cab.

Sean is a performing artist for S.E. Shires trombones and Denis Wick mouthpieces and mutes.

 

  • Doors at 7:00 PM

The Side Door, 85 Lyme St, Old Lyme, CT 06371

Tagged With: Erik Elligers, Sean Nelson Jazz Orchestra: Harry James Tribute Featuring Joshua Kauffman, The Side Door Jazz Club

Steve Nelson Quartet

November 15, 2025 By Craig OConnell

Steve Nelson Quartet

By The Side Door Jazz Club
Nov 15 from 8pm to 10:30pm EST

Steve Nelson – Vibraphone

Rick Germanson – Piano

Kiyoshi Kitagawa – Bass

Charles Goold – Drums

Steve Nelson is an acclaimed American jazz vibraphonist and marimba player, widely regarded as one of the pre-eminent modernist performers on the instrument for his inventive, fluidly harmonic, and chromatic approach.

Introduced to the vibraphone in high school by his teacher George A. Monroe—a steelworker by day and a gifted vibraphonist in the Milt Jackson tradition—Nelson also received early instruction in piano and jazz fundamentals from Monroe, to whom he later dedicated the track “Blues for George A.” on his album Full Nelson. He began his professional career in Pittsburgh, quickly progressing to gigs with guitar legend Grant Green after a recommendation from local musician Jerry Byrd.

Nelson earned both bachelor’s and master’s degrees in music from Rutgers University, studying in the renowned Jazz Studies program under pianist Kenny Barron, bassist Larry Ridley, and drummer Ted Dunbar. His debut recording was on James Spaulding’s Plays the Legacy of Duke Ellington (1983), followed by collaborations in the early 1980s with Barron, David “Fathead” Newman, Bobby Watson, and the George Shearing big band.

Throughout his career, Nelson has been the vibraphonist of choice for jazz icons, including long-term partnerships with pianist Kenny Barron, saxophonist Jackie McLean, drummer Lewis Nash, pianist James Williams, bassist Curtis Lundy, and pianist Mulgrew Miller’s Wingspan Sextet. Since the 1990s, he has been a core member of bassist Dave Holland’s Quintet and Big Band, contributing to decades of composing, performing, and touring.

As a leader, Nelson has released albums such as Live at Acireale (Red Records), Full Nelson (Sunnyside), and Communications (Criss Cross), showcasing his personal voice on vibes. In 2025, he earned a Grammy nomination for his work on Barron’s quintet album Beyond This Place, praised as “one of the best career efforts of the number one vibes player of his generation.”

In addition to performing worldwide, Nelson serves as an educator, teaching jazz ensemble at Montclair State University and mentoring young vibraphonists, as featured in the 2023 short documentary Sparni.

Doors at 7:15 PM

The Side Door, 85 Lyme St, Old Lyme, CT 06371

Tagged With: Steve Nelson Quartet, The Side Door Jazz Club

Steve Nelson Quartet

November 14, 2025 By Craig OConnell

Steve Nelson Quartet

By The Side Door Jazz Club
Nov 14 from 8pm to 10:30pm EST

Steve Nelson – Vibraphone

Rick Germanson – Piano

Kiyoshi Kitagawa – Bass

Charles Goold – Drums

Steve Nelson is an acclaimed American jazz vibraphonist and marimba player, widely regarded as one of the pre-eminent modernist performers on the instrument for his inventive, fluidly harmonic, and chromatic approach.

Introduced to the vibraphone in high school by his teacher George A. Monroe—a steelworker by day and a gifted vibraphonist in the Milt Jackson tradition—Nelson also received early instruction in piano and jazz fundamentals from Monroe, to whom he later dedicated the track “Blues for George A.” on his album Full Nelson. He began his professional career in Pittsburgh, quickly progressing to gigs with guitar legend Grant Green after a recommendation from local musician Jerry Byrd.

Nelson earned both bachelor’s and master’s degrees in music from Rutgers University, studying in the renowned Jazz Studies program under pianist Kenny Barron, bassist Larry Ridley, and drummer Ted Dunbar. His debut recording was on James Spaulding’s Plays the Legacy of Duke Ellington (1983), followed by collaborations in the early 1980s with Barron, David “Fathead” Newman, Bobby Watson, and the George Shearing big band.

Throughout his career, Nelson has been the vibraphonist of choice for jazz icons, including long-term partnerships with pianist Kenny Barron, saxophonist Jackie McLean, drummer Lewis Nash, pianist James Williams, bassist Curtis Lundy, and pianist Mulgrew Miller’s Wingspan Sextet. Since the 1990s, he has been a core member of bassist Dave Holland’s Quintet and Big Band, contributing to decades of composing, performing, and touring.

As a leader, Nelson has released albums such as Live at Acireale (Red Records), Full Nelson (Sunnyside), and Communications (Criss Cross), showcasing his personal voice on vibes. In 2025, he earned a Grammy nomination for his work on Barron’s quintet album Beyond This Place, praised as “one of the best career efforts of the number one vibes player of his generation.”

In addition to performing worldwide, Nelson serves as an educator, teaching jazz ensemble at Montclair State University and mentoring young vibraphonists, as featured in the 2023 short documentary Sparni.

Doors at 7:15 PM

The Side Door, 85 Lyme St, Old Lyme, CT 06371

Tagged With: Steve Nelson Quartet, The Side Door Jazz Club

Alexander Claffy Quintet “The Music of Cole Porter”

October 18, 2025 By Craig OConnell

Alexander Claffy Quintet “The Music of Cole Porter”

By The Side Door Jazz Club

Join us for a special night of jazz with Bassist Alexander Claffy and his Quintet performing the music of Cole Porter!

Saturday, October 18 · 8 – 10:30pm EDT. Doors at 7:15pm

The Side Door, 85 Lyme St Old Lyme, CT 06371

Eric Alexander – Saxophone

Matthew Rotker Lynn – Guitar

Adam Birnbaum – Piano

Alexander Claffy – Bass

Adam Arruda – Drums

From birth, Alexander Claffy was raised in a musical household (his father is a pianist, his mother, a vocalist), and had many of his earliest lessons on bandstands in the heart of Philadelphia. As a teenager, Claffy was fortunate enough to find a mentor in many Philly natives, and has continued his study of the double bass with some of the world’s finest musicians, including Ron Carter, Dwayne Burno and Orin O’Brien. Since moving to New York City in 2011, he has had the honor of working with many of his living heroes, including Jimmy Cobb, Louis Hayes, Harold Mabern, Kurt Rosenwinkel, Christian Scott, Joey Alexander, Wallace Roney and many more. In the past 3 years he has recorded for the Verve, HighNote, Positone, RopeADope and LaReserve record labels.

Tagged With: Alexander Claffy Quintet "The Music of Cole Porter", The Side Door Jazz Club

Jonathan Barber & Vision Ahead

October 17, 2025 By Craig OConnell

By The Side Door Jazz Club

Join us for a special night of jazz with Drummer Jonathan Barber and his band Vision Ahead!

Friday, October 17 · 8 – 10:30pm EDT. Doors at 7:15pm

The Side Door Jazz Club, 85 Lyme St Old Lyme, CT 06371

Jonathan Barber – Drums

Tony Davis – Guitar

Matt Knoegel – Saxophone

Cameron Campbell – Piano

Matt Dwonszyk – Bass

International Recorded artist, composer, educator and bandleader Jonathan Barber was voted the #1 Up-and-Coming Drummer of 2018 in Modern Drummer. Barber has already recorded and toured worldwide with such artists as Pat Metheny, Terence Blanchard, Christain McBride, Erykah Badu, Nicholas Payton, Buster Williams, Jimmy Greene, Jeremy Pelt, Wallace Roney, Terrace Martin, Gretchen Parlato, Jennifer Holiday, Steve Davis, J.D. Allen, Walter Smith III, The Brooklyn Philharmonic and many more.

In addition to his first-call status as a sideman, Barber has stepped forth as a composer and leader with his band Jonathan Barber & Vision Ahead. Even with Barber’s history of high-profile gigs and recordings taken into consideration, DownBeat magazine gave his latest album “Legacy Holder” 4.5 stars. Jonathan Barber & Vision Ahead is a powerful declaration of intent for a band that’s been making waves on the modern jazz scene. Barber’s blend of classic, swinging jazz with elements of gospel, rock, soul, and fusion is a compelling showcase of Barber’s broad stylistic range as a drummer, performer and composer. Jonathan Barber & Vision Ahead was featured and headline the Rainy Days Jazz Festival held in St. Petersburg and Moscow, Russia, Hartford Jazz Festival, Clifford Brown Jazz Festival, Pittsburgh Jazz Festival as well jazz venues around the world. Since 2020, Jonathan Barber & Vision Ahead have been completed three National tours across the United States.

Being an independent artist Jonathan Barber has released 5 albums with Vision Ahead: Vision Ahead (2018), Legacy Holder (2020), Live at Jazz Standard (which is exclusively on Bandcamp, 2020), Poetic (2022) and In Motion (2024).

Gearing up for their new album release “In Motion” Jonathan Barber & Vision Ahead will embark upon their first International Tour performing at Musig Im Pflegidach (Muri, Switzerland), Ronnie Scott’s (London, U.K.) and Duc Des Lombards (Paris, France).

Stepping into the role as a Drum Clinician, Barber toured as solo clinician in Latin America and China Barber and has been featured artist at PASIC convention.

Barber endorses Ludwig Drums, Istanbul Agop Cymbals, Evans Drumheads, Promark Drumsticks and Sunhouse Percussion.

Barber recently has been appointed as Jazz Drum Professor at the University of Connecticut.

“I recognize my God given gift. Maximizing this gift to its full potential is the best thing you can do for yourself. Operating in this gift is how you give back to the world.”

Tagged With: Jonathan Barber & Vision Ahead, The Side Door Jazz Club

Shawnn Monteiro Quartet

September 20, 2025 By Craig OConnell

Shawnn Monteiro Quartet

Shawnn Monteiro Quartet

By The Side Door Jazz Club
Saturday, September 20 · 8 – 10:30pm EDT. Doors at 7:15pm
85 Lyme St Old Lyme, CT 06371

Shawnn Monteiro – Vocals

Matt DeChamplain – Piano

Dave Zinno – Bass

Steve Langone – Drums

Exciting, captivating and completely distinctive” is how most jazz cognoscenti describe Shawnn’s pulsating lyric style. Whether in the intimacy of a club date or the glitter of a Las Vegas showroom, Shawnn has delighted audiences from USA to Europe with her highly popular jazz repertoire laced with blues-oriented improvisations.

Evident in Shawnn’s liveliness of lyrical phrasing and intermittent scat variations is the influences of Carmen McRae and Sarah Vaughan, from whom she draws that inner core of creative energy. But good genes help, too. Shawnn’s father was the late renowned bassist Jimmy Woode, veteran of the Duke Ellington band. Throw into the mix, a lot of musical inspiration and guidance from her Godfather, Clark Terry, and you come up with a combination that can’t miss.

Percussion great and latin/jazz impressario Mongo Santamaria discovered Shawnn working in a club in San Jose, California and signed her on the spot to tour with his band. Shawnn electrified audiences as his only vocalist and female percussionist during that two-year circuit where she shared the stage with such greats as Stan Kenton, Celia Cruz, the Fania All-Stars, and Weather Report.

Since then, Shawnn has shared the stage with a prestigious list of notables jazz names: Clark Terry, Red Holloway, Ray Brown, Lionel Hampton, Frank Foster and the Basie Band, Nat Adderly, Kenny Barron, Hank Jones, Bobby Durham, James Williams, Jimmy Cobb, Keter Betts, Stanley Jordan, Ed Thigpen, Johnny Griffin, and Benny Golson….to name a few.

Ms. Monteiro has delighted audiences from the USA to Europe with her highly popular jazz repertoire laced with blues-oriented improvisations and the American Songbook. The true quality of Shawnn’s voice is best experienced in the ultimate setting of the club dates where her warm charisma can be personally felt by those fortunate enough to spend an evening with her,

She continues to teach Master Classes all over the world, including one ongoing every summer in Italy since 1995. She is a former adjunct Professor at the Hartt School/Jackie McLean Institute of Jazz , University of Hartford, Hartford, Connecticut and also Rhode Island College in Providence Rhode Island.

Her popularity continues to grow as club-goers from Los Angeles to Rome extol the special feelings they share as she lulls them into a mellow mood as only a sensitive jazz vocalist can do. The true magical quality of Shawnn’s exciting voice is best experienced in the ultimate setting of the club dates where her warm charisma can be personally felt by those fortunate enough to spend and evening with her.

Shawnn teaches a Master Vocal Class in Rome and Genova, Italy every summer. (Ongoing since 1995)Artist in Residence – 2 Years at Rhode Island College (Jazz Vocals)

She was an adjunct Professor (in Jazz Vocals) at both Rhode Island College, Providence, RI and Hart School of Music, Univ. of Hartford, Hartford, CT.

Most recently, Shawnn taught a master class at Berklee College of Music, Boston MA

Performances at Chans Woonsocket, City Winery Boston and private events.

Tagged With: Shawnn Monteiro Quartet, The Side Door Jazz Club

Sean Nelson Jazz Orchestra

September 17, 2025 By Craig OConnell

Sean Nelson Jazz Orchestra

Join us for a special night with the Sean Nelson Jazz Orchestra (formerly the New London Big Band) and the start of their monthly residency!

Wednesday, September 17 · 7:30 – 10pm EDT. Doors at 7pm

The Side Door, 85 Lyme St Old Lyme, CT 06371

Saxes:

Erik Elligers

Tyler Wilkins

Matt Parker

Josh Thomas

Matt Schmidt

Trumpets:

Don Clough

Seth Bailey

Luke Wingfield

Haneef Nelson

Trombones:

Sean Nelson

Leroy Loomer

Vince Yanovitch

Wes Mayhew

Jen Allen – piano

Gianni Gardner – guitar

Lou Bocciarelli – bass

Dan Pugach – drums

Introducing the premier of the newly rebranded ensemble (formerly called the New London Big Band) at their new home at the Side Door Jazz Club! This show will feature signature tunes from the band’s catalog, as well as some new compositions from members of the band.  The Sean Nelson Jazz Orchestra is a “full bodied and polished brassy big band” (Jazz Weekly) made up of 17 of the finest musicians in New England. Formed in 2016 as the New London Big Band, for the past nine years they have played monthly for sold out crowds at the Social Bar + Kitchen in New London CT. The band has performed all over the country, including the Kennedy Center (Washington DC), the Birdland Jazz Club (NYC), Monks Jazz Club (Austin TX), and Hallowed Halls (Portland OR). The band has released three albums, the most recent of which, “Don’t Stop Now: the lost music of Thad Jones for Harry James,” reached #29 on the jazz radio charts.The band’s sound is rooted in the Kansas City swing of Count Basie, “swinging high, hard, and hot” (All About Jazz.) “Nelson…has assembled a youthful, sharp, hip 17-piece ensemble as dedicated as he is to the belief that big band sounds can provide a fine musical experience — one best served up live, where the groove and excitement of the arrangements and instrumental interplay can energize and pack a dance floor across generations.” (The Day of New London)Sean Nelson is the leader and founder of the band. By day, he is enlisted in the U.S. Coast Guard, where he plays trombone with the Coast Guard Band’s concert band and jazz ensembles, serves as staff arranger, and is music director for the Guardians Big Band.Nelson was music director and arranger for the 2024 National Christmas Tree Lighting with the Coast Guard’s Guardians Big Band, creating over 500 pages of arrangements. This was performed in front of the White House and seen nationally on CBS. Sean was one of two composers that co-created the official song of the Space Force, Semper Supra, which is now part of every Armed Forces Medley. He also composed the official song for the National Oceanic and Atmospheric Administration officer corps (one of the eight federal uniformed services). He has won the National Band Association Young Composers Jazz Composition Contest and is a two­ time winner of Downbeat Magazine’s jazz arranging award. He currently works as the arranger for Sam Houston State University Bearkat Marching Band. Sean’s big band arrangements are published at iJazzmusic.com.A native of Dallas, Texas, Sean received a Bachelor of Music degree from Sam Houston State University and a Master of Music degree from the University of North Texas. While at North Texas, he was trombonist and composer for the One O’Clock Lab Band and sang with the Jazz Singers I. Sean’s trombone quartet won the International Trombone Association Quartet Contest. He spent his summers and winter breaks playing in house bands on cruise ships for Princess Cruises and Cunard Cruises.Sean lives in Quaker Hill, Connecticut, with his wife Megan and children Lucinda, Giles, McCoy, and Cab.Sean is a performing artist for S.E. Shires trombones and Denis Wick mouthpieces and mutes.

Tagged With: Sean Nelson Jazz Orchestra, The Side Door Jazz Club

Aaron Goldberg Trio with John Patitucci and Obed Calvaire

August 15, 2025 By Craig OConnell

Aaron Goldberg Trio with John Patitucci and Obed Calvaire

By The Side Door Jazz Club

Friday, August 15 · 8 – 10:30pm EDT. Doors at 7:15pm

The Side Door, 85 Lyme St Old Lyme, CT 06371

Aaron Goldberg – Piano

John Patitucci – Bass

Obed Calvaire – Drums

“For over 20 years, pianist Aaron Goldberg has set himself apart as one of the most scintillating performers in jazz,” hails JazzTimes. Goldberg is widely heralded as one of the art form’s most compelling pianists, both leading his own trio and collaborating with such brilliant icons as Joshua Redman, Wynton Marsalis, Kurt Rosenwinkel, Guillermo Klein and many more. Simultaneously swinging and embracing risk, his stylistically fluid, singular voice reveals that jazz is a tradition of innovation.

Goldberg became a jazz devotee in high school as a student at Milton Academy in Boston. He was introduced to the African-American art form by bassist and master educator Bob Sinicrope, and at age 16 began study with saxophonist Jerry Bergonzi.  As Aaron puts it, “At first improvisation was a mystery and a puzzle, but soon it became a profound inner and outer journey as life and music entwined.”  After receiving awards from Berklee College of Music and Downbeat Magazine, he moved to New York City at 17 to attend The New School for Jazz and Contemporary Music.  Devoting himself entirely to music for the first time, he won the NFAA Recognition and Talent Search and IAJE Clifford Brown/Stan Getz Fellowship, attending classes by day and performing in NYC clubs by night, inspired by NYC’s myriad living masters.

After spending a year at The New School, Aaron enrolled at Harvard College and began a cross-disciplinary program in philosophy, psychology and the history of science.  He graduated magna cum laude in 1996 with a concentration in Mind, Brain and Behavior.  While at Harvard he juggled academics with an equally intense musical docket.  At age 18 he was discovered by the inimitable vocalist Betty Carter and became a founding member of Carter’s famed Jazz Ahead throughout his college years.  He performed locally with Boston legends Jerry Bergonzi, Alan Dawson, and Bill Pierce, played every weekend at Wally’s Café and spent summers in NYC on the bandstand with up-and-coming talents such as Mark Turner and Omer Avital.

Aaron promptly moved back to New York after college, continuing his ascent in bands led by a cross-generational array of icons including Al Foster, Freddie Hubbard, Nicholas Payton, Stefon Harris, Tom Harrell, and Gregory Tardy among others.  In late 1997 he formed his first trio with bassist Reuben Rogers and drummer Eric Harland, a widely acclaimed empathic unit that would perform and record consistently for the next two decades and leave their mark upon a generation of musicians.

Beginning in early 1998 Aaron began to garner worldwide attention touring and recording with the Joshua Redman Quartet, marking the beginning of a longstanding artistic collaboration and friendship that endures today.  In 2004 he began a four-year tenure with guitar guru Kurt Rosenwinkel, and in 2005 toured extensively with Wynton Marsalis’s quintet as well as the Lincoln Center Jazz Orchestra.  Despite this demanding schedule Aaron earned an M.A. in Philosophy at Tufts University in 2010 under Daniel Dennett, commuting for class and writing papers while on the road.  Over the past decade he has toured extensively with his own Trio as well as the Joshua Redman Quartet, carving time for collaborations with some of his other favorite artists including Cecile McLorin Salvant, Ron Carter, Joe Lovano, Peter Bernstein, Camila Meza, Ravi Coltrane, Carl Allen, Madeleine Peyroux, John Ellis and Eli Degibri.

Aaron’s most recent recordings as a bandleader include At the Edge of the World (2018, Sunnyside Records) which features bassist Matt Penman and master drummer/body percussionist Leon Parker.  Jazziz notes that the album “rekindles a musical relationship that in the past has provided many sparks and no shortage of fireworks.” The Now (2015) foregrounds his original trio comprising two of the finest musicians of his generation, Reuben Rogers and Eric Harland.  These follow upon Home (2010) and Worlds (2006), also on Sunnyside, which both capture the sensitivity and dynamism of this tight-knit trio along with special guests. The three recently returned to the studio for an upcoming trio release in 2023.  Given that Goldberg’s debut recording, Turning Point, first appeared on the J Curve label in 1999, followed by Unfolding on the same imprint in 2002, the upcoming album will mark 25 years of musical fellowship.

Aaron’s contemporaneous collaborative project Yes! Trio is a trilateral celebration co-led by Omer Avital and Ali Jackson Jr.  Groove du Jour (2019) marks their long-awaited release on the Jazz & People label, after their eponymous debut on Sunnyside in 2012. “This sensational meeting of players is a near-perfect mixture of ingredients, bristling with braggadocious energy” says DOWNBEAT.  Goldberg’s other critically acclaimed collaborations include a unique co-led album with Argentinian master composer Guillermo Klein entitled Bienestan (2011), as well as an upcoming duet project with Palestinian qanunist and vocalist Ali Paris, exploring the intersections of Arabic traditions and jazz as well as art and politics.  As a co-leader Goldberg recorded 4 albums with the OAM Trio, appears upon over 100 more as a sideman, and co-wrote with John Ellis a series of educational cd’s for children entitled Baby Loves Jazz.

As a citizen Aaron maintains an active interest in education and political engagement, including in the role of music in society as a whole.  In 2004, 2008, 2012, 2016, and 2020 he produced and performed in Jazz for America’s Future, Jazz for Obama, Jazz for Obama 2012, Jazz For America’s Future 2016 and Jazz for America, historic fundraising concerts for the presidential campaigns of John Kerry, Barack Obama, Hillary Clinton, and Joe Biden.  Aaron is a member of the faculty at both the New School for Jazz and Contemporary Music and William Paterson University, and frequently travels as a clinician to conservatories and workshops across the world. In 2019, Goldberg received an Honorary Doctorate in Music from University of the Arts Helsinki– the highest acknowledgement that the university can confer.

Throughout his career Aaron Goldberg has surrounded himself with kindred spirits in pursuit of the highest expression. He and his bandmates embody the best of what jazz can be today: the ability to speak together in a progressive voice, marking both present and future with their creative stamp.  Aaron’s joy in communal improvisation continues to inspire audiences around the planet, empowering the human spirit to embrace each moment.

Tagged With: Aaron Goldberg Trio with John Patitucci and Obed Calvaire, The Side Door Jazz Club

Ken Peplowski Quartet

May 16, 2025 By Craig OConnell

Friday, May 16

Ken Peplowski Quartet

  • ALL AGES

Join us for a special night of jazz with clarinetist/saxophonist Ken Peplowski and his Quartet!

By The Side Door Jazz Club
Friday, May 16 · 8 – 10:30pm EDT. Doors at 7:15pm

The Side Door

85 Lyme St Old Lyme, CT 06371

Refund Policy

No Refunds

About this event

 

  • Event lasts 2 hours 30 minutes

 

  • Free venue parking

Ken Peplowski – Clarinet

Tardo Hammer – Piano

Martin Wind – Bass

Phil Stewart – Drums

There can be few readers of The Clarinet who are unfamiliar with the outstanding artistry and career of Ken Peplowski. He is one of the finest jazz instrumentalists on the scene today. Russell Davies of BBC Two hailed him as the greatest living jazz clarinetist. The Siletz Bay Music Festival in Oregon referred to him as “the living Benny Goodman.”1

Ken is also one of the most recorded jazz players to date, with over 50 CDs as soloist and nearly 400 as a featured sideman. He has performed with Charlie Byrd, Mel Tormé, Rosemary Clooney, Hank Jones, Peggy Lee, Bill Charlop, Woody Allen, Benny Goodman and many other legendary musicians. Centered in New York City, Ken travels about half the year playing in clubs, colleges, jazz societies, parties, concert halls and festivals. He is a longtime performer on and consultant to The Jazz Cruise, and in 2013 was elected into the Jazz Cruise Hall of Fame. In addition, Ken is the artistic director of the Newport Beach (California) Jazz Party and the Sarasota (Florida) Jazz Festival, where he was awarded the “Satchmo” award for his “unique and enduring contribution to the living history of jazz.”2 Much of his work on the road is done with his big band or his quartet. Wherever he plays, Ken is received with great admiration by his audiences.

Immediately noticeable at a Ken Peplowski performance or on his recordings is his amazing technical fluency. He has complete command of the instrument at every tempo and a rock-solid sense of rhythmic drive in ballads, standard songs, and up-tempo traditional jazz tunes. His sound is full, rich and warm in all registers. When students come to him with an interest in learning how to become jazz players, he starts with the importance of breath and air support and works with them on the rudiments of a pure classic sound and even finger technique.

Growing up in Cleveland, Ohio, in the 1960s he heard Robert Marcellus in the Cleveland Orchestra and on recordings, and studied for three months with Ted Johnson, a member of the clarinet section in the orchestra. Ken’s main teacher at this time was Alan Blazer. He also “practiced like crazy.”3 His career in performance started with professional jobs at age 9 in the local polka band that he formed with his brother. This is where he honed his technique and trained his ear. A defining moment in his early musical life was when he bought his first jazz record with money he made playing in the polka band: Stan Getz, More West Coast Jazz (Verve Records, 1956). In 1978, Ken joined the Tommy Dorsey Band led by Buddy Morrow and went to work on the road. Three years later he moved to New York to begin a career of studio dates, concerts, recording sessions, and international touring. Recognition quickly followed.

What sets Ken apart from many other jazz players is his abundance of ideas and an abiding interest in exploring all types of music in performance. Jazz players know that brilliant virtuosity is only part of a rewarding performance, and that collective improvisation is at the heart of jazz music and has been since the earliest years. Ken is a catalyst for much of the dazzling interplay that occurs in his great ensemble jazz. He has a very quick mind and a telepathic rapport with the other musicians on the stand. The result is a rich collaboration that is the hallmark of every performance he gives. In any musical performance, the interaction of the performers is a critical component of a successful musical experience. With a defining emphasis on improvisation, jazz is perhaps explicitly reliant on the spontaneous interaction of the musicians, and, when performed by Ken Peplowski and the musicians in his groups, the results can be transformative. His duo albums with Howard Alden (Concord, CCD-4556, 1993; CCD 4654, 1995 and Pow-Wow on Arbors Records, ARCD 19340, 2007) and Dick Hyman (Live at the Kitano, Victoria Company, 2013) attest to the musical intelligence of two superb musicians playing off each other’s musical ideas.

In his performances, Ken has embraced a huge breadth of styles and periods of jazz. For him the entire century of jazz music has become an endless well of possible tunes to play and record. His albums contain traditional jazz tunes, selections from the Great American Songbook, bebop, big band styles, third-stream and avant-garde jazz and even ethnic folk and dance music. There is always a fresh variety of textures and styles. The quintet and quartet albums often include a few duet pieces and even some tunes performed on clarinet unaccompanied. These require a harmonic structure that can be realized and communicated by a single instrument. Occasionally the decision to record a work for clarinet alone happens in the recording studio. Ken likes the spontaneity of the moment and the challenge of creating something special at the moment the recording is made.

Tagged With: Ken Peplowski Quartet, The Side Door Jazz Club

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